Emin has stirred as much controversy as she has acclaim, being both highly personal and extremely original in her art. Emin's work is engaging, titillating, disturbing, and startlingly confessional. One of her most famous pieces is Everyone I Ever Slept With 1963-1995, a tent appliquéd with...
Tracey Emin looks to her life for her primary material. With soul-searching candour, she probes the construct of the self and the very impulse to create.
Throughout the New Labour years we have found a good deal of our entertainment in the exposed frailty of others. Walking through the latest exhibition by Tracey Emin, "Those Who Suffer Love", at White Cube in London a couple of weeks ago, I was struck by two things. The first was the...
In May 2004, a fire in a Momart warehouse in East London obliterated many works of art owned by the Charles Saatchi collection, including Emin's famous tentEveryone I Have Ever Slept With 1963–1995("The Tent") (1995) andThe Last Thing I Said To You Is Don't Leave Me Here("The Hu...
Byline: SOPHIE LERISOver the past couple of years, Tracey Emin has become the grande dame of the art establishment.This year alone she was given an honorary doctorate by Kent University, made an academician by the Royal Academy and asked to represent Britain at the Venice Biennale. Last year...
将“Tracey Emin"翻译成瑞典文 Tracey Emin是将“Tracey Emin"翻译成 瑞典文。 译文示例:Everyone I Have Ever Slept With 1963–1995 (1995), also known as The Tent, was an artwork created by Tracey Emin. ↔ Everyone I Have Ever Slept With 1963-1995, även känt under namnet "The ...
Tracey Emin, Everyone I Have Ever Slept With 1963 - 1995 1995 Appliquéd tent, mattress and light 122 x 245 x 214 cm, courtesy of the artist and Saatchi gallery 对于所有关系破裂或者结束而有的伤痛,Tracey都非常勇敢地拥抱并消化成自己的创作,并在过程中,伤害慢慢被释放,驱散,但是,仍有一些无法化为...
Tracey Emin, Everyone I Have Ever Slept With 1963 - 1995 1995 Appliquéd tent, mattress and light 122 x 245 x 214 cm, courtesy of the artist and Saatchi gallery 对于所有关系破裂或者结束而有的伤痛,Tracey都非常勇敢地拥抱并消化成自己的创作,并在过程中,伤害慢慢被释放,驱散,但是,仍有一些无法化为...
When her tent and beach hut were destroyed by fire at the Momart warehouse in East London in May, Emin was outraged by the public sniggering that followed. "The majority of the British public have no respect for what me and my peers do," she said at the time. "A lot of people ...
Have you ever had cause to regret digging into such personal stories for your art as The Tent, The Bed and making them public, or do fewer secrets means less fear? Fewer secrets do mean less fear. And I know that there's a price to pay for what I've done and what I do. Th...