It was directed by Smith & Foulkes through Nexus and involved coaxing the fur balls into an array of movements and positions to tell the story, (for all you wrangling enthusiasts this was done mostly with the aid of a maggot on a stick). The commercial was shot with multiple passes, (i...
There was some quite extreme vfx transformations needed to take the footage, shot in the "exotic" location of suburban Bromley, into the realms of Mordor. Have a look at the example below. In addition a lot of time was spent integrating other elements needed such as rain, water splashes, ...
This is Bromley High Street, which may once have been a humming centre but which today is almost completely devoid of any commercial activity. At the end you will see a gateway across the road to your right. Stop 8: St Leonard’s Churchyard At the end of Bromley High Street where St ...
There was some quite extreme vfx transformations needed to take the footage, shot in the "exotic" location of suburban Bromley, into the realms of Mordor. Have a look at the example below. In addition a lot of time was spent integrating other elements needed such as rain, water splashes, ...
It illustrates that there are two sides to every story, in this case either slave away in the kitchen or simply let Youngs take the strain. The shoot was planned in detail and the two halves were filmed on consecutive days across locations. In post we spent time bringing the two halves ...
Tyson Fury vs Francis Ngannou has been branded as the 'Battle of the Baddest'. Seb Edwards has unequivocally made the Mohammad Ali of Boxing promotion films. Stings like a bee. Agency: Droga5 NYC Chief Executive Officer - David Droga & Jason Kreher ...
Executive Creative Directors: Nicholas Hulley, Nadja Lossgott Creative Directors: Toby Allen, Jim Hilson Agency Producer: Edwina Dennison Production Companies: Somesuch, Revolver Director: Steve Rogers DoP: Simon Duggan Producers: Caroline Kruck, Seth Wilson, Lee Groombridge ...
James supervised on the shoot in the Spanish National Park of Tiede in Tenerife and then back in London we dealt with the live action car work which included extensive clean up and grading. Sadly James didn’t get to have a go in the helicopter....
Time Based Arts VFX Supervisor: Mike Skrgatic 2D LEAD: Thiago Dantas 2D TEAM: Adam Paterson, Jamie Crofts, Leo Weston, Grant White, Linda Cieniawska & Matt Shires 3D TEAM: Sam Osbourne, Oscar González-Diez, Zoe Sottiaux & Sean Ray ...
Some of the idents were shot at high speed to make the most of elements that flew through the air. This further complicated the shoot. Actors, troop and camera crew had to be choreographed to perform their actions in perfect order and on queue over the course of ten hectic seconds that ...