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网易云音乐是一款专注于发现与分享的音乐产品,依托专业音乐人、DJ、好友推荐及社交功能,为用户打造全新的音乐生活。
su·per·string theory (so͞o′pər-strĭng′) A type of string theory in which both the particles that transmit forces (such as the photon, which carries the electromagnetic force) and the particles that make up matter (such as the proton) are viewed as string-like objects floating...
Sekou Andrew & The String Theory. A genre-bending EP of spoken word and symphony orchestra. The String Theory is to create a genre-bending fusion of poetry & orchestral music to help millions of people find their voice and to create a commercially viable
A Reese - 《Music Theory Spectrum》 被引量: 0发表: 2020年 Diatonic and Octatonic Interaction:Construction and Manipulation of Polytonality in The Third Movement of String Quartet No.1 by Karol Szymanowski The third movement of String Quartet No.1 by Carol Szymanowski is remarkable by its polyto...
Related to string: String theorystring (strĭng) n. 1. a. Material made of drawn-out, twisted fiber, used for fastening, tying, or lacing. b. A strand or cord of such material. 2. Music a. A cord stretched on an instrument and struck, plucked, or bowed to produce tones. b....
of musical heritage culture and its folk protectors who by popularizing certain forms of folk tradition, transmit tamburitza music in the area of Syrmia. ... M Luka,M Damjanovi - 《Life & School A Magazine for the Theory & Practice of Education》 被引量: 0发表: 2021年 Three Portraits of...
A music theory openFrameworks addon originally based on the Python Mingus library Created by Andreas Borg on 28/01/2013 crea.tion.to Change log: Major rewrite July 2016 / Changed all objects into shared_ptr. Most functions should return copies, but be careful when passing chords around as they...
MusicPhilosophyAesthetics A theory of irony in music| Types of irony in the string quartets of Haydn and Beethoven INDIANA UNIVERSITY Robert S. Hatten BalterTamaraMy dissertation proposes a semantic theory of irony in music, with application to the string quartets of Haydn and Beethoven. Through ...
Intuitively, we feel there must be answers to such questions, but they tend to be scattered throughout a wide range of different areas of study, from acoustics to music history, from psychology to composition. In this brilliant and thought-provoking book, Maconie seeks the answers to these ...