Some "Maximum R&B" influence lingered in the two James Brown covers, but much of Townshend's original material fused Beatlesque hooks and power chords with anthemic mod lyrics, with "The Good's Gone," "Much Too Much," "La La La Lies," and especially "The Kids Are Alright" being ...
Once they know more about the chord construction, it will be easier for them to identify chords, how they are built, and how they can add chord embellishments. Another plus point of the process is that it will allow musicians to move chords easily. It will also let them move chords up ...
and on the second, "When Dave played the opening chords, Bobby Graham forgot the complicated introduction he had planned and just thumped one beat on the snare drum with as much power as he could muster, as if to say, 'OK, wimp, take that!'...
“Baby's on Fire” is barely a song, in the conventional sense—two chords mercilessly alternating for five minutes, a single snatch of melody repeated with almost no variation, a lyric that sidles around clear sense, and a guitar solo that takes up more than half of its running time. It...
At the piano he would hit a few (often dissonant) chords, pause to take a drag off the cigarette resting at the edge of his piano, hit a few more chords, wipe his brow, and then (say, during a Charlie Rouse tenor solo) get up and do a dervish-like dance around the stage. ...
I should admit upfront that as a musical composition, this song isn’t actually that strong. The riff is almost echt-Townshend — too close to things we’ve heard him do before (the chords are very similar to those of “The Seeker”). The lyric, too, is a bit of an exercise in ...
My mom got us a guitar, and he could play chords, write songs on it already. One month on the piano, he was playing it perfectly. He’s literally a genius. When we were writing “1942,” I told him what I was trying to do, ‘cause I had just gotten back from my trip from ...
Contributors include members of Status Quo, The Beat, The Jam, Lindisfarne, The Members, The Selecter, The Specials, The Stranglers, The Style Council, The Undertones, The Vapors, The Beautiful South, Carter USM, The Chords, Dodgy, The Farm, Folk Devils, The Loft, The Wolfhounds, The ...
Their own brand of anarchy lives on, echoed in the chords of every punk rock band to follow, forever preserving the transcendent energy of this groundbreaking genre. 1 The Clash 1,454 votes Agree or Disagree? The Clash, often referred to as "the only band that matters,...
”“The Real Me” captures the contradictory nature of the album’s main character, Jimmy, screaming at his mother, his priest and his shrink, challenging them to truly see him. “You have the big, big, big bass of John Entwistle, the big, big drums of Keith Moon, the power chords,...