FULL REVIEW Fiction Machine Grant Watson If Gus Van Sant’s 1998 remake of Alfred Hitchcock’s widely celebrated thriller Psycho (1960) is not one of the most unfairly maligned features of its decade, then it must surely be one of the least-well understood. ...
The cast and crew of Van Sant’sPsychomay be completely different, but the movie remains Hitchcock’s film to its core. Shot for shot, angle by angle, the film matches nearly every element of the original, right down to the iconic Bernard Herrmann score andSaul Bass-designed opening title ...
Craig Zahler just wrapped their second film together, “Dragged Across Concrete,” just four days before flying to Austin for the movie’s American premiere at Fantastic Fest. (It opens theatrically on October 6.)For the first time in two decades, and... See full article at Indiewire 10/3...
you already know the characters, the dialogue, the camera angles, the surprises. All that is missing is the tension–the conviction that something urgent is happening on the screen at this very moment. The movie is an invaluable experiment in the theory of cinema, because it demonstrates...
FULL REVIEW 40 Empire The thrill of the original is seeing a black-and-white, one-foot-on-the-floor, no-sex-please Hays Code world suddenly explode into a slasher movie. Our loss of innocence has, simply, changed all the rules.
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I was lucky enough to have spent my life wisely avoiding any conversation regarding the plot of this movie until I was able to see it in full. Thank God I did! The movie has arguably the best mid-plot point and climactic twist in thriller history, and certainly the best-directed ending...
The Movieclearly builds on things already established on the TV show, so if you didn't see it, you may find yourself fairly confused in spots. Plot developments and relationships between the characters are rooted in the series. While it's still possible to follow the general arc of the plo...
The movie doesn't stink. The performances are good, potentially great, especially Vince Vaughn as Norman Bates, but he owns a scene just for doing that psychotic giggle of his. Full Review | Original Score: 2.5/5 | Dec 6, 2005 Robin Clifford Reeling Reviews A lot of people may not ...
Not that [Marion] or we are guilty of the horrors [Norman] is, but this is a movie fundamentally about shame, of which guilt is an inextricable component. Full Review| Original Score: 5/5 |Feb 10, 2023 Samantha Allenthem. The impeccable direction and cinematography, the masterful suspense...