If Gus Van Sant’s 1998 remake of Alfred Hitchcock’s widely celebrated thriller Psycho (1960) is not one of the most unfairly maligned features of its decade, then it must surely be one of the least-well understood. 1669674509000 FULL REVIEW them. Daniel Bayer Van Sant knows what he’...
Full review in Spanish. 1681179393000 FULL REVIEW Filmspotting Adam Kempenaar Not that [Marion] or we are guilty of the horrors [Norman] is, but this is a movie fundamentally about shame, of which guilt is an inextricable component. 1676046257000 FULL REVIEW More on Rotten Tomatoes Additional ...
Cold, dull, lifeless. [5 December 1998, p.3] By Marjorie Baumgarten FULL REVIEW Film Threat The movie doesn't stink. The performances are good, potentially great, especially Vince Vaughn as Norman Bates. By Ron Wells FULL REVIEW Empire ...
Critics are supposed to review what’s in front of them, but we often don’t; we compare a film to the better film in our heads — whether it’s an adaptation of a book we love (in which case we’ve already made the movie in our imaginations), or a remake of a movie we love...
Movie Details Theatrical Release:September 8th, 1960-Buy Tickets On DVD & Blu-ray:May 27th, 1998-Buy DVD Movie Budget:$806,947 Movie Box Office Gross:$32,000,000 (Worldwide) Original Language:English Production Companies:Shamley Productions ...
the surprises. All that is missing is the tension–the conviction that something urgent is happening on the screen at this very moment. The movie is an invaluable experiment in the theory of cinema, because it demonstrates that a shot-by-shot remake is pointless; genius apparently resides betw...
| Tagged: carl sweeney, film, gus van sant, hollywood, Movie, Psycho, psycho (1998), remakes, the movie palace | Leave a comment » New Podcast! The Movie Palace –“Summer of Psycho: The Shower Sequence” Posted on July 27, 2020 by Darren I had the pleasure of joining the great...
Not that [Marion] or we are guilty of the horrors [Norman] is, but this is a movie fundamentally about shame, of which guilt is an inextricable component. Full Review| Original Score: 5/5 |Feb 10, 2023 Samantha Allenthem. The impeccable direction and cinematography, the masterful suspense...
(the 1998GusVan Santremake specifically repudiates that theory). The slashing chords of Bernard Herrmann’s soundtrack substitute for more grisly sound effects. The closing shots are not graphic but symbolic, as blood and water spin down the drain, and the camera cuts to a closeup, the same...
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