The thrill of the original is seeing a black-and-white, one-foot-on-the-floor, no-sex-please Hays Code world suddenly explode into a slasher movie. Our loss of innocence has, simply, changed all the rules. By Jeff Dawson FULL REVIEW ...
Roger Ebert December 6, 1998 4 min read The most dramatic difference between Alfred Hitchcock’s “Psycho” (1960) and Gus Van Sant‘s “shot-by-shot” remake is the addition of a masturbation scene. That’s appropriate, because this new “Psycho” evokes the real thing in an attempt to...
Scream Factory Sale on Amazon Slashes Horror Blu-ray Prices as Low as $8.49! May 1bloody-disgusting.com Alfred Hitchcock’s ‘The Birds’ & ‘Rear Window’ Get the Funko Pop! Treatment May 1bloody-disgusting.com Contribute to this page ...
“Psycho” never shows the knife striking flesh. There are no wounds. There is blood, but not gallons of it. Hitchcock shot in black and white because he felt the audience could not stand so much blood in color (the 1998GusVan Santremake specifically repudiates that theory). The slashing ...