Jesch’s framework typifies a field that has witnessed a reemergence of cross-cultural and deliberately comparative perspectives. Following the culmination in the 2000s of a long-term trend toward interpretive foci aiming to unlock the culturally unique, researchers have in recent years explored psychol...
On the lighter side, Mosher took a liking to Harold Lloyd’s latest picture, The Cat’s Paw, which marked a sharp departure from Lloyd’s trademark slapstick. Lloyd adopted to a calmer pace, “touched with the delicate bloom of satire.” Moviegoers who associated Lloyd with such pictures ...
A company may have issued shares that remain unpaid for, and these unpaid shares can still be transferred. In such case, it is unclear who should bear the obligation of capital contribution for these unpaid shares as the Curren...
The gentle lull of "Sittin'" was a radical departure from Redding's Southern soul bombast, and perhaps a sign of what was to come if the singer hadn't died tragically in a plane crash. "That one song, wesearchedfor a long time. We call it crossover music;soit could go eitherway:,...
Not only was the Resurrection of Christ the point of departure in NT Christology, but by reference to Christ from this resurrection perspective, and as guided by the Spirit, the early believers were able to recognize more fully man’s true condition before God and to appreciate the divine ...
Maximum load bearing of working bucket 340kg The bucket rotates horizontally ±90° Chassis brand/model IS ZU/QL1160VMFRY The total quality 13185kg Engine model 4HKI-TC50 Rated power 151kw The wheelbase 4500mm CIF $ Overall dimension: 8310×2498×3730(mm) Total quality: 13185...
Morbid Angel’s 1989 debut album still sounds supremely sinister, a perfect mixture of earth-heaving riffs and chilling, Satanic darkness. At the time, it was one of death metal’s furthest departures from the thrash it was born out of, bearing classics such as “Maze of Torment,”“Immorta...
Morbid Angel’s 1989 debut album still sounds supremely sinister, a perfect mixture of earth-heaving riffs and chilling, Satanic darkness. At the time, it was one of death metal’s furthest departures from the thrash it was born out of, bearing classics such as “Maze of Torment,”“Immorta...
We do not see them as a radical departure from a longer history of socially embedded, ethnographic studies of language, however. Moving beyond universal categories of “everyday speech” and “linguistic exchange” towards local understandings of genres of speaking and communication was a key ...