The materials and techniques of The Lamentation of Christ (ca. 1460, Mauritshuis), attributed to Rogier van der Weyden and studio: Combining MA‐XRF, reflectance imaging spectroscopy and paint cross‐section analysisearly Netherlandish painting
in Tírechán's seventh-century account of the funeral obsequies of King Loíguire's daughters (Collectanea 26.16), as well as in Blathmac's long devotional composition from the mid-eighth century, in which the theme of keening is used to frame a poetical account of the Passion of Christ....