A villain as the story’s protagonist. Obviously this is more of an advanced screenwriting theory, as well as probably something that has better roots in independent cinema, but I’m about to tackle such a scenario and a few pointers, ideas, or advice would be great. Thoughts? Good questio...
villain POVs are hard to write:To write a good villain, you’ll have to get inside their warped, racist, misogynistic, selfish heads. Do you really want to spend a lot of time with this person? Readers won’t either. one-dimensional villains are not that interesting:It’s hard not t...
they’ll interact with many others, from enemies to friends, who’ll bring out the worst or best in our protagonists, so these side characters must have somecomplexity and developmentas well. As such, to write a good series, you should remember the following tips when it comes to the char...
His pen*s was settled into a split between my legs. Thinking that he would come in soon, my mushy body hardened. Without haste, he began to rub the sensitive flesh of the entrance against the front of the pillar. “I-I don’t think it’s going to go in…” “You’ve eaten well...
Then build your villain(反派角色),the one blocking the protagonist,in the same way. Build characters.(3) D Write a treatment tracing how each plays in the main dramatic action,with one event leading to another. Redraft the idea.Redraft your original idea and story to adjust for what you...
You are charting a path to tell the story.Write every day. Write five or six good pages every day, even if you throw most of them out the next day. 5 A. Detail the protagonist. B. Expand on the story and subplots. C. Quality in writing is achieved through rewriting. D. Build ...
In this article, learn ten secrets about how to write a story, and more importantly, how to write a story that's good.
The inciting incident is the moment that forces your protagonist to act and sparks a meaningful story. Learn how to write it well.
Your villain doesn’t necessarily need magic if your hero has it; however, they need to be capable of defeating the hero. That means their abilities have to match up with the story. Think through the types of conflicts you want to write. Are they courtroom showdowns, magical puzzles, or...
Tell a story. Like every good story there’s a villain and a protagonist along with a lesson to be learned. With case studies, of course, you’re dealing with fact over fiction. “Structure it like a story. Make sure there’s a logical flow,”writesDrew McLellan, top dog at McLella...