doi:10.12804/revistas.urosario.edu.co/sociojuridicos/a.13439SOCIAL scientistsPOOR peopleLAW reformPRIVATE propertyHOUSINGEMINENT domainURBANIZATIONPEZZOLO FARINA, MARCELOEstudios Socio-Jurídicos
SHAW, L. The chanchada and celluloid visions of Brazilian identity in the Vargas era (1930-45), Journal of Iberian and Latin American Studies, Abingdon-on-Thames, v. 6, n. 1, p. 63-74, 2000. Disponivel em: . Acesso em: 28 mai. 2018.Shaw, Lisa. "The Chanchada and ...
In October 2005, Brazilians commemorated the seventy-fifth anniversary of Get煤lio Vargas's Revolution of 1930. This jubilee followed 14 months after the fiftieth anniversary of Vargas's suicide in August 1954 and 17 months after the fortieth anniversary of the 1964 military coup that, as the ...
Brazil: Chapter 1D. The Vargas Era, 1930-45Jan Knippers Black
The Chanchada and Celluloid Visions of Brazilian Identity in the Vargas Era (1930-45)In the 1930s a new cinematic genre emerged in Brazil which came to be known as the chanchada or light, musical comedy. These pale imitations of big-budget Hollywood musicals of the same era proved to be...
Age Vargasnew Brazilian identitynationalist and development projectThis text aims to analyze the project of building a school culture that contributed to the manifestationand consolidation of a nation that has emerged to ideal, under the aegis of industrialization andsocial structure development, as ...
Religious Music and Church-State Relations in Brazil during the Vargas Era (1930–1945)spaceaphasianarration-in-interactionstoryworldmultimodalAn art curator from Montevideo, Laura Bardier has curated international exhibitions, workshops, and forums. She collaborated with the Municipality of Napoli to ...