From the series of cantatas written in 1714–16, however, it is obvious that he had been decisively influenced by the new styles and forms of the contemporary Italian opera and by the innovations of such Italian concerto composers as Antonio Vivaldi. The results of this encounter can be seen...
Concerto No. 4 in F Minor, Op. 8, RV 297: "L'inverno" (Winter): II. Largo-Nicholas McGegan/Antonio Vivaldi/Scottish Chamber Orchestra/Anthony Marwood La Princesse de Navarre - Act II - Sarabande (纳瓦尔公主 - 第二幕 - 萨拉班德舞曲)-Nicholas McGegan/Marilyn Hill-Smith/English Bach Fes...
it is obvious that he had been decisively influenced by the new styles and forms of the contemporaryItalianoperaand by theinnovationsof such Italianconcertocomposers asAntonio Vivaldi. The results of this encounter can be seen in such cantatas as No. 182, 199, and 61 in 1714, 31 and 161 in...