on the C200, there is no preset C-LOG 2 although the Raw is C-Log 2, so which preset should I use, c-log, clog-3, rec709 , off. and which IRE for that choice ? My guess (from my search) is use Clog-3 and set the IRE at 34,3 for an 18% gray card. Is ...
我在所有的 YouTube 视频和大部分商业作品中都使用相同的 LUT。他们来了!如果您以前没有使用过 LUT,它们非常简单,并且可以与所有流行的视频编辑软件一起使用。下载内容包括一个简短的自述文件,可帮助您入门。 包括: How to...
Yes, the OP needs to convert the Log footage to REC 709 in post. (Or whatever colour space he is using, like REC 2020, but as he's a newbie I'm guessing 709.) Usually this is done with a LUT; that isn't the only way, but it's easy. You can get...
Currently the Clog3 LUTs are only for the BT.709 Color Space and not for Cinema Gamut (because I use these to monitor my footage on the Atomos Ninja V+ – And there is no way to record Cinema Gamut correctly on the Ninja V / V+ because the Color Space is too big to get sent th...
Using the right LUT and not using a LUTs at all LOG is gamma that requires some tweaking to look like a normal Rec.709 video, again, John Hess from Filmmaker IQ hasa great video explaining this. Canon offers their native Look Up Tables (LUTs) in their “Canon lookup table Version 201911...
On the R5, though, shooting raw with Clog 3 is not identical to the raw footage you get when you shoot with no picture profile. I would definitely run some tests between clog 3 enabled raw in camera vs rec 709 enabled raw footage in camera on the R5C because th...
Canon introduced CLOG3 (what your camera has) which offers similar performance to CLOG2 in a codec that is not as processor intensive. When you shoot in CLOG3 the contrast and saturation of your video is reduced. This helps with file size. You then have to apply a LUT or color gr...