Doing so reveals a persistent Western humanist lens that underwrites mainstream ecofeminist understandings of human-earthly relation, and also thinks with the African and Indigenous cosmologies Mendieta incorporated into her Siluetas about alternative modes of human relation to the earth. As Mendieta re...
Ana Mendieta: Earth Body, Sculpture and Performance 1972-85sensitively reflects the art, life, and legacy of Ana Mendieta. This comprehensive traveling exhibition, at the Des Moines Art Center in Iowa from 25 February to 22 May, 2005, included Mendieta’s early intermedia work, films,Siluetas,...
与她特定场域的户外作品一样,Ana Mendieta接受了发生在这些物品上的时间的自然效果,比如树叶颜色和质地的改变等等。 安娜·门迭塔剪影系列的部分作品 门迭塔从后期开始创作名为“Siluetas(剪影)”的雕塑系列作品。其中,她将自己或她的“替身”隐藏在自然景观中——沙子、泥土、雪、树木、草地、冰和岩石——模糊了女性...
2004. "Exiled Space, in-between space: Existential Spatiality in Ana Mendieta's Siluetas Series" in Philosophy and Geography. February. 7(1): 25-41.Ortega, Mariana. 2004. Exiled Space, In-between Space: Existential Spatiality in Ana Mendieta's Siluetas Series. Philosophy and Geography 7 (...
This article considers the influential work of Ana Mendieta. Focusing on her siluetas series, Muoz describes Mendieta's art as performing a modality of brownness that leaves resonant indentions on the world, what he calls vital materialist after-burns. Mendieta's after-burns are read alongside ...