与她特定场域的户外作品一样,Ana Mendieta接受了发生在这些物品上的时间的自然效果,比如树叶颜色和质地的改变等等。 安娜·门迭塔剪影系列的部分作品 门迭塔从后期开始创作名为“Siluetas(剪影)”的雕塑系列作品。其中,她将自己或她的“替身”隐藏在自然景观中——沙子、泥土、雪、树木、草地、冰和岩石——模糊了女性...
2004. Exiled Space, In-between Space: Existential Spatiality in Ana Mendieta's Siluetas Series. Philosophy and Geography 7 (1): 25-41.Ortega, Mariana. 2004. "Exiled Space, in-between space: Existential Spatiality in Ana Mendieta's Siluetas Series" in Philosophy and Geography. February. 7(...
Exiled space, in‐between space: existential spatiality in Ana Mendieta's Siluetas Series Special Section Existential space is lived space, space permeated by our raced, gendered selves. It is representative of our very existence. The purpose of this essay is t... Mariana,Ortega - 《Philosophy...
The first section discusses existential spatiality as explained by the phenomenologists Heidegger and Watsuji and as represented in Mendieta's Siluetas. The second section analyzes the space of exile as a space of in‐between‐ness and borders. Lastly, the third section discusses temporality as it...
Through the analysis of Mendieta's Siluetas, and in light of phenomenological accounts of space and the works of Anzaldúa and Mignolo, Ana Mendieta herself is disclosed as well as the space characteristic of those who can no longer be said to have a "home." My exploration through my art ...