与她特定场域的户外作品一样,Ana Mendieta接受了发生在这些物品上的时间的自然效果,比如树叶颜色和质地的改变等等。 安娜·门迭塔剪影系列的部分作品 门迭塔从后期开始创作名为“Siluetas(剪影)”的雕塑系列作品。其中,她将自己或她的“替身”隐藏在自然景观中——沙子、泥土、雪、树木、草地、冰和岩石——模糊了女性...
2004. Exiled Space, In-between Space: Existential Spatiality in Ana Mendieta's Siluetas Series. Philosophy and Geography 7 (1): 25-41.Ortega, Mariana. 2004. "Exiled Space, in-between space: Existential Spatiality in Ana Mendieta's Siluetas Series" in Philosophy and Geography. February. 7(...
Exiled space, in‐between space: existential spatiality in Ana Mendieta's Siluetas Series Special Section Existential space is lived space, space permeated by our raced, gendered selves. It is representative of our very existence. The purpose of this essay is t... Mariana,Ortega - 《Philosophy...
The purpose of this essay is to explore the intersection between this lived space and art by analyzing the work of the Cuban‐born artist Ana Mendieta and showing how her Siluetas Series discloses a space of exile. The first section discusses existential spatiality as explained by the ...
The purpose of this essay is to explore the intersection between this lived space and art by analyzing the work of the Cuban‐born artist Ana Mendieta and showing how her Siluetas Series discloses a space of exile. The first section discusses existential spatiality as explained by the ...
This article considers the influential work of Ana Mendieta. Focusing on her siluetas series, Muoz describes Mendieta's art as performing a modality of brownness that leaves resonant indentions on the world, what he calls vital materialist after-burns. Mendieta's after-burns are read alongside ...