《Cut Piece》切片 小野洋子 I 日本 Yoko Ono b.1933 日裔美国多媒体艺术家先锋艺术家/和平活动家/歌手/作曲家 #实验艺术##艺术##行为艺术# http://t.cn/EMEdHfC
Staged five times by Yoko Ono between 1964 and 1966, Cut Piece has been interpreted in a variety of ways, including an exploration of sadism/masochism and violence/victimization. It has also been discussed in terms of feminist discourses on the female body and the male gaze. By contrast, ...
Even so, Yoko Ono’s career as an artist began much earlier when she attended Sarah Lawrence College. It was here in the late 1950s she wroteA Grapefruit in the World of Park(which would eventually become a performance). Her developing interest in experimental literature and performance art ...
Yoko Ono did a nine-minute video called Cut Piece where she sat on stage and allowed her viewers to use scissors to cut pieces of her clothing off. The power is then given to the audience rather than the artist and the artist’s body becomes the canvas. Just like Marinas’ performance,...
One of the lesser known results of this creative outpouring was the film, “RAPE”. Sean Ono Lennon believes this to be: “Aprofound piece, especially in the context of the Me Too movement. It’s not designed to be entertaining, it’s a concept, a metaphor and an experience.” ...
Cut Piece: The Art of Yoko Ono and the Law of Rape in the United StatesIn 1964, Yoko Ono performed Cut Piece in New York's Carnegie Hall. This performance art involved Ono sitting on a bare wood stage wearing dark stockings, a dresSocial Science Electronic Publishing...
Yoko Ono, 1969 Portrait by Iain Macmillan ©Yoko Ono The exhibition will feature several of the iconic films Yoko Ono made during the 1960s and early 1970s, such as “Cut Piece” (1964/5), “Eyeblink” (flux film no.9 and 15) 1966, “Freedom” 1971, “Fly” ( 1970 directed by...
In a raw, candid interview, John Lennon talks about Beatles' breakup, Yoko, why 'John Lennon/Plastic Ono Band,' is "the best thing I've ever done."
Yoko Ono's performance Cut Piece (1964) is anchored by the instructions Cut Piece that the artist had produced in 1962 and in 1966, where the concept of the work lies. The clothing the performer wears is equally an important component of the work, and its cutting is what activates it. ...
Performances such as Yoko Ono’s Cut Piece (1964), Marina Abramovi’s Rhythm 0 (1974) and Hannah Wilke’s Super-T-Art (1974) implicated the viewer in an embodied relationshipwith the (un)dressed artist. In these works fabric was variously torn, bound, wrapped, folded and cut off the ...