In my last post I described the adorable AirBnB two friends and I had rented for the week in West Virginia. We’d booked it because the house was entirely our aesthetic, but we really had no idea what was in the area. After booking the place, we found out that the owner had anothe...
One of them was the chansonnière and cabaret artistClaire Waldoff(1884-1957). Born as Clara Wortmann in Gelsenkirchen, she is a central figure in the Berlin cultural scene of the 1920s. Her songs are known throughout Germany. She lives openly with her partner Olga (Olly) von Roeder and ...
the advertising feder the advice we got was the aesthetic charact the aesthetics of cic the age of darkness the age of diminished the agent the ages privileges i the aim of learning e the air is dirty the aircraft also dis the airline asiana the alarm clock went the algorithm of mult the...
Benoist's portrait is not only self-reflexive, but is dialogic in that it documents a desire by the artist to command both the aesthetic and the racial in the defining moment of the modern self. The image underscores the observation that national and cultural identities of artists who speak t...
In my last post I described the adorable AirBnB two friends and I had rented for the week in West Virginia. We’d booked it because the house was entirely our aesthetic, but we really had no idea what was in the area. After booking the place, we found out that the owner had anothe...
Correspondence The Aesthetic Status of Sex by F. M. P. 270 Correspondence Limitations of Parentage by A Truth Seeker 271 Correspondence Children and the Lower Appetite by Rationalist 271 Correspondence The Excitation of Sex Discussions by Frank Watts 271 Correspondence Undue Emphasis on Sex by A Rea...
TRUE STORY OFA WOMAN IN JAIL: SEX HELL Color, 1975, 72m. Directed by Kôyû Ohara Starring Kozue Hitomi, Seri Kaori, Hiromi Maya, Aoki Machiko Impulse (DVD) (US R1 NTSC) / WS (2.35:1) (16:9) DEBAUCHERY Color, 1983, 70m. ...
From ultra clean makeup to the finest pubic hair oil around, check out the top 50 woman-owned beauty brands we'll be shopping all year long.
The art work is also up to personal taste. Director Lauren Montgomery brings a look that mixes 90s Disney cartoon aesthetic with the more simplistic designs of the Bruce Timm cartoons, but the mix tends to look a bit lazy at times.
Opting out of the wide-angle aesthetic, she shot the film in the more boxed-in 1.33 ratio, which places greater emphasis on the quiet moments of contemplation that flash across Lane’s face. Star might be more independent on the road than she’s ever been before, but she’s also yoked...