Related to this Question Why were sculptures of the pharaoh created? Why did pharaohs build pyramids? Why were the Greek pyramids made? Why did the Egyptians build pyramids? Why were elaborate tombs so important to pharaohs? Why were pyramids important to the ancient Egyptians?
Why were sculptures of the pharaoh created? Why was Cleopatra exiled? Why did the ancient Egyptians build temples? Why did Benazir Bhutto marry Zardari? Why was Thebes important to Ancient Egypt? Why did Edmonia Lewis create Cleopatra?
And you apparently made a very good impression on the museum director at your interview. You asked good questions about the sculptures and took notes, it says here. That’s why they hired you and why they were willing to pay you. Museums normally use volunteers, you know. MALE STUDENT: ...
The sheer size of space enclosed within buildings like the basilica of London must have been astonishing. [#insert2] This was an architecture of dominance in which subject peoples were literally made to feel small by buildings that epitomized imperial power. [#insert3] Supremacy was accentuated ...
As he looks up at sculptures of the four Presidents in granite(花岗岩), his mouth and eyes open slowly, like those of little boy. "Amazing, " he says, '"How was this done? " A film in the information center shows sculptor Gutzon Borglum devoted 14 years to the sculptures....
Lives" (1983), a group biography of five Victorian marriages. (It is filled with marvellous detailsand set pieces, like the one in which John Ruskin, reared on hairless sculptures of female nudes,defers consummating his marriage to Effie Gray for so long that she sues for porce.) Rose is...
"One of the beautiful things is that [the museum] allows visitors to get literally face to face with these sculptures -- my fear is that with behavior like this, barriers could be put in place."
d be interesting to have the sculpture perform on its own—it started being its own weird thing in space. Eventually, I started introducing paint back into the work. I was painting on the sculptures, and I was doing these paintings on paper. Somehow it still they felt like they were ...
like these 25,000-year-old bas-relief sculptures from La Roque de Venasque in France. We might not know what they meant, but the people of the time certainly did. The repetition of the same signs, for so long, and at so many sites tells us that the artists ...
“One of the beautiful things is that [the museum] allows visitors to get literally face to face with these sculptures – my fear is that with behavior like this, barriers could be put in place.”