For most purposes, stereo is clearly better than mono, even to non-technical people. But for certain applications, mono is definitely the way to go.
For this reason, the majority of producers still produce music for stereo playback. It just sounds better right? However, some things to consider are: Mono compatibility If you're making beats to be played in a club, then it’s worth considering that it will be played back in mono. ...
When sounds fight for space in your mix, the mono approach helps you shape them correctly by adjusting frequencies. Stereo mixing covers up masking issues, but ultimately can result in muddier mixes. This approach takes much more work, but it pays off. Panning after mixing in mono ...
While most of us take stereo for granted today, in 1940, Disney’s “Fantasia” became thefirst film shown commercially in that format: two audio channels, left and right; a contrast to the mono soundtracks that came before it. This brought a richness and depth to the classical film score...
Hedges had Optifile automation retrofitted onto the Mark IV, and also has an old Siemens patchbay that contains self‑cleaning plugs to avoid crackle. "The EMI may not be as easy to use as an SSL and it needs more maintenance, but it sounds better than any other desk I've ever worked...
Applying tonal and stereo enhancements As well as adjusting a record’s loudness, a mastering engineer might make changes to a track’s overall tone using EQ and saturation, or make stereo enhancements such as widening the top end of a mix. At the mastering stage, any changes should be extr...
mono chorus to one side of a mix and the dry sound to the other often produces a more spatial effect than a dedicated stereo chorus unit, and without making the sound seem so disembodied. Watch out for early stereo chorus units that achieve their effect by phase inverting one of the ...
But my issue is different and perhaps more basic: it sounds like the bassist was intentionally turned down in the mix. I hope to find a reasonably priced Mono edition of the album at some point to see if that is any better — I imagine it might be. But on the Stereo vers...
ORIGINAL ENCODED CONTENT STREAM DECODED –LC FULL RATE STEREO HALF RATE MONO DECODED –PS APPLY PS DECODED –SBR FULL RATE STEREO FULL RATE MONO Figure 4. AAC-LR, SBR, and PS in audio decoding. Like any other improvement initiatives, measurement technologies also played their role in audio ...
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