CGI culture, at its most mainstream, is obsessive about its own version of reality, leaving such ironies as Beeple’s well alone. James Cameron’s portentousAvatar(2009; its sequel,Avatar: The Way of Water, is due for release later this year), a morality tale about extraterrestrial beings ...
Due to its anime andmanga origins,Akiraalready stands apart from the mainstream and represents a risky release for Warner Bros. However, this is exacerbated by the story's inherent mature themes.Akiraisn't just dealing in excessive violence, gore or nudity, all of which can be toned down wit...
The one thing that the MCU does really well that hasn’t really come up is the consistency of blueprint they have laid out and how they managed to interlock...
Alice in Wonderland is full of CGI, a $200 million budget, and a star-studded cast, just like Disney's other live-action remakes released afterward. The live-action remakes have adopted this formula, which has become something of a problem, as the budgets are now inflating to $260 millio...
“2D is dead” thenwe must understand WHY,and why that might be goodandbad. For that reason, let’s go all-in and consider reasons we as creators might completely walk away from a tradition that began more than one hundred years ago.No hyperbole here, only actual, reasonable rationales....
animated counterpoint. But for some baffling reason, the movie tones down Zuko's facial scar to the point that it's barely noticable. It's like the filmmakers were spending too much money on a crappy CGI version of Appa that they didn't have enough to put makeup on Dev Patel...
animated counterpoint. But for some baffling reason, the movie tones down Zuko's facial scar to the point that it's barely noticable. It's like the filmmakers were spending too much money on a crappy CGI version of Appa that they didn't have enough to put makeup on Dev Pate...
but the plot is odd and convoluted, and ultimately forgettable. The fights are terrific, primarily because they are staged in broad daylight and the use of CGI doesn’t stick out as much as it does in the other films of this era. Still, there’s minimal draw to revisit this entry compa...
Why We Watch is a new media channel that critiques and mashes up entertainment, primarily movies, to encourage discussion about wide-ranging issues.
animated counterpoint. But for some baffling reason, the movie tones down Zuko's facial scar to the point that it's barely noticable. It's like the filmmakers were spending too much money on a crappy CGI version of Appa that they didn't have enough to put makeup on Dev Patel...