Elisabeth Perceval: It’s funny because yesterday morning I was saying to Nicolas… Do you remember? Nicolas Klotz: Yes, I was asking Elisabeth about our place in contemporary French cinema and she was saying that it was like an uncertain love… I found that very beautiful. EP: Uncertainty ...
Still, it’s not all roses and probably never could be — we’re talking about a production of limited means here, after all. There are some curiously-composed shots that seem to be aiming for something artistic but don’t quite hit the mark, some of the most crucial dialogue veers into...
and her bird—all hers, it was too late to get rid of it now and too late to stop—was right beneath her shoe…As she lay there on the floor, thinking about the mess she’d made, something unexpected came over her and she heard herself making this awful sound...
the of and to a in that is was he for it with as his on be at by i this had not are but from or have an they which one you were all her she there would their we him been has when who will no more if out so up said what its about than into them can only other time new...