He produced the track and cowrote it with Trevor Peacock. The track originally featured on the cast album of ‘Passion Flower Hotel’ in 1965. Then it was released as a single in 1966. It has a big, bold, brassy and dynamic sound that typifies mid-sixties British soundtrack albums. ‘...
Admittedly, given the design, there are some aspects of the audio quality that might not be up to snuff. The biggest thing is the bass. That's not to say that the bass is just as bad as the laptop, but just that it won't be as big an improvement as it could be. ...
They are beautiful-the young teenagers who surf and paddle are true blondes, the blue eyes scintillating pools of water, young women are saddled onto 6” platforms, and then there are the stand-out power people, who will not acknowledge anyone, and expect everyone to acknowledge them. Tucked ...
only those “C” rank and above are eligible for their first value star rating which resulted in many IEMs being considered for the “Worth the price” tag despite them being, by most accounts, utterly mediocre and only getting the award due ...
Listening as I write to Keith Jarrett rustling “Autumn Leaves” on grand piano, whilst Gary Peacock rakes his standup bass strings and Jack DeJohnette brushes sunlight off his cymbals, I’m struck again by how accurately acoustic instruments are represented by this streaming ...