Del Toro moves between many of these scenes with a moving foreground wipe — an area of darkness, or a wall or a tree that wipes out the military and wipes in the labyrinth, or vice versa. This technique insists that his two worlds are not intercut, but live in edges of the same fr...
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(Pigtails on the girl in front) And dingy bits from god knows what – Old friends – Do not wash my yellow blanket. Paint me with a thousand stripes And let my life heal in my face Baby Bird A little baby bird: Such a tiny, fledgling soul. Come, please come! It’s time we met...