すりぃ feat.鏡音レン 02:51 【4K】テレキャスタービーボーイ/Telecaster B-Boy (long ver.) すりぃ feat.鏡音レン 02:45 【4K】Infinitely Gray/限りなく灰色へ すりぃ feat.鏡音レン 04:35 【4K】"After Epochs/アフターエポックス" feat.初音ミク / sasakure.UK 03:32 【4K】HACHI ...
You'll find these on the earliestTelecasterguitars of the 1950s. It is especially good for middle-position pickups, and it contributes to a very sweet and musical “vintage-y” sound. Alnico III The weakest of the three because it actually contains no cobalt. Since it exhibits the least am...
No, the Queen guitarist is surely not going to start playing Les Pauls but a signature acoustic might not be beyond the realms of the imagination, nor would a Gibson-built Red Special
a为了保证这次会议, In order to guarantee this conference[translate] a我们谈了两年。因为好多事儿。那是我们还在上学 We discussed for two years.Because of many matters.That is we is also going to school[translate] aJohn 5 Workshop J5 Telecaster" - Sweetwater 约翰5车间J5电视广播员" - Sweetwater...
Playing a Fender Telecaster that was alternately DI'd or fed through a Vox amp and Fender Champ miked with a combination of Shure SM57 and SM58 and AKG C12A mics, Terry Britten tracked quite a few guitar parts for 'What's Love' — varying the style, content and tuning — before choosi...
AFender Custom Shop1963 Stratocaster Relic (above) shows the kind of wear typically associated with a nitrocellulose lacquer finish, which this instrument has. Below, take a look at a close-up of finish checking on a Fender Custom Shop 1952 Heavy Relic Telecaster. ...
Ampeater Music is a website devoted to bridging the gap between unsigned (or just plain underexposed) artists and music lovers everywhere. Every day we feature a different artist on what we call The Ampeater Review. Each fea
played by Saul Davies on his G&L Telecaster‑style guitar. Although the song's speed change had been agreed, Davies nevertheless recorded the part at the original speed of 103bpm (Baynton‑Power: "so it sounded tight when we sped it back up"). Davies also double‑tracked the funk par...
with Johnny Copeland and Albert Collins – the latter of whom burned a Telecaster legend into place at Cray’s high school graduation. His fame would eclipse them both within the year, as Cray became the '80s biggest crossover blues rocker. Few MTV viewers likely had ever heard of B.B. ...
I don't remember if it was Telecaster or Stratocaster But I do remember that it wasn't at all easy It required the perfect combination of the right powerchords And the precise angle from which to strike! The guitar bled for about a week afterwards And the blood was, ooh, dark and...