Peim, N. (2007) Walter Benjamin in the Age of Digital Reproduction: Aura in Education: A Rereading of `The Work of Art in the Age of Mechanical Reproduction, Journal of Philosophy of Education, 41.3, pp. 363-380.Peim, Nick (in press) Walter Benjamin in the age of digital reproduction...
Walter Benjamin的aura这一概念如何理解？"What, then, is aura? A strange tissue of space and time...
Walter Benjamin的aura这一概念如何理解？"What, then, is aura? A strange tissue of space and time...
The film responds to the shriveling of the aura with an artificial build-up of the “personality” outside the studio. The cult of the movie star, fostered by the money of the film industry, preserves not the unique aura of the person but the “spell of the personality,” the phony spe...
The thoughts of Walter Benjamin one of the leading philosopher of the twentieth century correspond a period (the first quarter of 1900’s) in which the technical developments changed the shape of people’s perception and mass culture grew rapidly. Acco
WalterBenjamin , 1892 — 1940 )是西方马克思主义的代表人物之一,他于 20 世纪 20 年代成为马克思主义者,致力于美学思想研 究,提出了文化生产论。他的思想独特且具有生命 力,特别是其在代表作《机械复制时代的艺术作品》 中阐述的“灵韵”( aura )思想,对反思当前大学文化 建设具有批判意义。 一、“灵韵”的学...
Archaeology has been an important source of metaphors for some of the key intellectuals of the twentieth century: Sigmund Freud, Walter Benjamin, Alois Rie... González-Ruibal,Alfredo - Routledge 被引量: 28发表: 2013年 Benjamin's Library: Modernity, Nation, and the Baroque by Jane O. Newman...
In the famous essay from 1935/1936 The Work of Art in the Age of Its Technological Reproducibility ( Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit ), Walter Benjamin introduces a highly ambiguous concept of "aura" in the philosophical and historical discourse of aesthetics. ...
Weber, Samuel 1996 “ Mass Mediauras, or: Art, Aura and Media in the Work of Walter Benjamin .” In Mass Mediauras: Form, Technics, Media , 76 – 107 . Stanford, Calif. : Stanford University Press.Mass Mediauras, or: Art, Aura and Media in the Work of Walter Benjamin." In Mass...
"Brevity" epitomizes Walter Benjamin's One-Way Street, an avant-garde text composed entirely of aphorisms. Benjamin's ideal of literary montage involves the utilization of ideas that he refers to as Abfall, or detritus, and rearranging them—preserved in the momentary spontaneity in which they ...