Vivre sa vie Vivre sa vie was a turning point for Jean-Luc Godard and remains one of his most dynamic films, combining brilliant visual design with a tragic character study. The lovely Anna Karina, Godard’s greatest muse, plays Nana, a young Parisian who aspires to be an actress but in...
Vivre Sa Vieinvites a rather theoretical treatment, because it is–intellectually, aesthetically–extremely complex. Godard's films are about ideas, in the best, purest, most sophisticated sense in which a work of art can be "about" ideas. I have discovered, while writing these notes, that in...
搬运 戈达尔1978蒙特利尔讲座 以及桑塔格《反对阐释》Godard’s Vivre Sa Vie英文原文 新冠初愈,但又激起了慢性病。回到西安的这几天,上空总是雾蒙蒙的,是历史的重担将这座城市压得也喘不过气来吗?不过附近的影院居然放映戈达尔,立即跑去看了。重温这部 《随心所欲:一部由十二个插曲组成的影片》应该遵循卡尔维诺的...
This study focuses on two French New Wave films starring Anna Karina, Jacques Rivette's La Religieuse (The Nun) of 1966 and Jean-Luc Godard's Vivre sa vie (My Life to Live) of 1962. Both explore the dilemma of entrapment in an instit...
关于戈达尔的一切 | 让-吕克·戈达尔(Jean-Luc Godard)是法国新浪潮电影运动的奠基人之一,他出生于法国巴黎的一个富裕家庭,他的父亲是一位医生,母亲是瑞士银行家的女儿。他在瑞士度过了童年,高中时期回到巴黎,并在索邦大学学习人类学、艺术史和音乐史。
Godard. We all went toJean-Luc Godardin the 1960s. We stood in the rain outside the Three Penny Cinema, waiting for the next showing of “Weekend” (1968). One year the New York Film Festival showed two of his movies, or was it three? One year at the Toronto festival Godard said...
Vivre sa Vie (dir. Jean-Luc Godard, 1962) 第一个给我推荐戈达尔的人说:“你可能不喜欢戈达尔,但你会喜欢安娜。” 💊 k收起 f查看大图 m向左旋转 n向右旋转û收藏 23 7 ñ53 评论 o p 同时转发到我的微博 按热度 按时间 正在加载,请稍候......
Vivre sa vie, Jean-Luc Godard, 1963. “别人说过的话或者一下就能想到的话,就没有必要再说了。”奇葩说里蔡康永如是说,电影亦如是。戈达尔在他自己的片子里就是不断在做这种尝试,以至于一开始看他的片子总觉得找不着点。本片中摇着拍正反打、破碎式的构图、正面背影谈话和突然的音轨丢失很好玩。 ...
Excepting the penultimate tableau (featuring philosopher Brice Parain),Vivre Sa Vieis one of Godard’s least conversational movies, but that hardly stops Criterion from letting everyone else do all the talking. There’s enough text and commentary on this disc to fill two volumes. The booklet alo...
certainly preponderantly dialogue. Godard restores the dissociation of word and image characteristic of silent film, but on a new level.Vivre Sa Vieis clearly composed of two discrete types of material, the seen and the heard. But in the distinguishing of these materials, Godard is very ingeni...