Albert Camus’The Stranger/The Outsider(1944 – originally in FrenchL’Étranger). One of the landmark novels where an anti-hero meets a bad end because they don’t play by society’s rules. The lead character kills a man who was involved in a conflict with a friend and is sentenced ...
Example of Hyperbole:“I was helpless. I did not know what in the world to do. I was quaking from head to foot, and could have hung my hat on my eyes, they stuck out so far.”— from “Old Times on the Mississippi” by Mark Twain Difference Between Hyperbole and Metaphors:There i...
The sage One who has great wisdom and will share that knowledge with those who seek it. Dumbledore in the Harry Potter series, Friar Laurence in The Tragedy of Romeo and Juliet, Mrs. Which in A Wrinkle in Time The trickster One who might tell jokes, will pull tricks or pranks, but can...
In our model, Sentinel personality types are the most traditionally loyal among all the groups. They are fiercely loyal to their families, communities and employers. On top of that, they are faithful to the traditions and values that those who went before them passed along. We know them for...
Looks at the printing of Romeo and Juliet which was launched by Harry R. Hoppe in 1948. Speculation as to whether Edward Allde is one of the printers; List of Allde's identified types.HanabusaChiakiEBSCO_AspPapers of the Bibliographical Society of America...
Furthermore,Spenser uses each quatrain to develop a metaphor, question, idea, or conflict in a logical way. At the end of his sonnets, heuses the couplet to make a bold statement that resolves the themespresented in the quatrains. Spenser also often included an earlyvoltaaround line 9 of ...
“O Romeo, Romeo, wherefore art thou Romeo?”—William Shakespeare,Romeo and Juliet 4Circumlocution Circumlocution is the use of a purposely wordy description. You can think of it as talking in circles. In Lewis Carroll’sAlice’s Adventures in Wonderland, the Queen of Hearts gives confusing di...
In fact, it is theconflict between these values that generate the movement and change that makes the storywork. These are the same values that drive good storytelling. If you take them a step further you can take these value scales and map them to different types of stories—or plot types...
What's in a name? That which we call a rose by any other name would smell as sweet. The Tragedy of Romeo and Juliet With these words, Juliet suggests the name of a thing does not matter, only what that thing is. She did have a motive for thinking this, of course, as it was ...
The hero (your client) has a goal she’s trying to reach. She also struggles with a villain or two (those pesky things that keep getting in the way). You are there to help her (be the mentor and guide). Both of you have special powers and abilities: characteristics that make it po...