Tracey Emin的最新个展《我追随你直到尽头》(I Followed You to the End)呈现了她2024年的新绘画与雕塑,主题围绕爱与失落、生命的短暂性与重生。· 2020年,Tracey Emin确诊癌症,从这一系列作品中也能看出这段经历对她影响很大。画中大量使用深红、白色和黑色等色调,充满力量和即兴的笔触,展现着情绪的剧烈波动。
I don't think I've ever seen quite so much pussy in an art exhibition. Tracey Emin's retrospective "Love Is What You Want," curated by the Hayward's Ralph Rugoff and Cliff Lauson, could make even Judy Chicago's Dinner Party seem almost neuter by comparison. In what is by now a ...
Emin’s life, such as a hospital bracelet and personal correspondence, in addition to a quilt on which she had stitched the names of family members and notes to them. In 1994 Emin undertook a U.S. tour ofperformance artfor which, sitting in her grandmother’s chair, she read from “...
Tracey Emin1963年出生,是英国知名的女性艺术家。她毕业于伦敦皇家艺术学院,现为学院皇家院士与荣誉博士。艾敏以自传和忏悔式风格闻名,作品涵盖素描、绘画、雕塑等多种形式。她深挖个人经历与情绪,围绕爱、欲望等主题展现“女人”与“自我”。其作品获诸多权威机构收藏,在二级市场屡拍出高价,凭独特风格在艺术界影响深...
谈及英国当代最具知名度和争议性的女性艺术家,几乎无人能出艾敏之右。此次全球各地的美术馆和私人收藏家纷纷援手,力图将其代表作悉数呈上,这场名为《翠西艾敏:20年》(Tracey Emin: 20 Years)的展览也自然成为爱丁堡艺术节(Edinburgh Art Festival)的最大亮点。
View Four thoursand years by Tracey Emin on artnet. Browse more artworks Tracey Emin from Tanya Baxter Contemporary.
The Memory of your Touch, the inaugural exhibition at the gallery by British artist Tracey Emin, opens this September at Xavier Hufkens as a cornerstone of its new season. Spanning both galleries and
I'm in Tracey Emin’s Spitalfields studio. It’s so big, on four floors, you could park an aeroplane in here, yet it’s full to the rafters with works of art in wooden crates, canvases in floor-to-ceiling cubbyholes, a huge desk covered in neat rows of tubes of oil paint (and...
Tracey Emin又名 翠西·艾敏, 是一位艺术家。 TRACEY EMIN改邪归正 文高靓婧、朱洁树 来源:东方早报 曾几何时,想读到一篇关于当代艺术家翠西·艾敏(Tracey Emin)的报道,而在这篇报道里没有贬损之言几乎是不可能的事。在上世纪90年代末及接下来的十年里,她在英国艺术界是“粗鲁无礼”和“坏女孩”的代名词...
Tracey Emin’s expressive and visceral work is renowned for its portrayal of personal experience and heightened states of emotion. Frank and intimate, but universal in its relevance, her practice draws on the fundamental themes of desire and grief, unravelling the constructs of ‘woman’ and ‘sel...