Thus, it is our argument that what might look like a series of highly individual reflections on pornographic experiences are in fact better understood as culturally colored remembrances of shared actions, thoughts, and emotions. In light of this, we view the participants’ narratives as “cultural...
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In the situation (1), there are bijective correspondences between natural transformations\(\rho _1 :HG \Rightarrow GL\),\(\rho _2 :FH \Rightarrow LF\),\(\rho _3 :FHG \Rightarrow L\)and\(\rho _4 :H \Rightarrow GLF\). Moreover, ifHandLhappen to be monads, then\(\rho _1\)...
The fifth sequel of the self-proclamed "first true shockumentary" series, dealing mostly with real life graphic violence and its aftermath caught on video. Producer Darrin Ramage (as Brain Damage) See all filmmakers & crew (3) Trending Become a member to see MOVIEmeter and news ...
Winter Series Border Towns KU: Work On What’s Been Spoiled Netta in the Garden Ode to a Scrub Shrub Essays The Root is Bitter, The Root is Sweet | Review In the Shadow of Madness | Review by Mary Harmon Theater Spoken Word Miss Brill Miss Macintosh, My Darling (1976): Chapter 6...
Traces of Death: With Damon Fox, Maritza Martin Munoz, Emilio Nunez, James Vance. Traces of Death is a collection of archive film and borrowed stock footage, notorious for its pointless exploitative content. In its opening you see the death of a woman na
The genetic origins of Uralic speakers from across a vast territory in the temperate zone of North Eurasia have remained elusive. Previous studies have shown contrasting proportions of Eastern and Western Eurasian ancestry in their mitochondrial and Y ch
Traces of Death II: With Damon Fox, Jeff Doucet, Gary Plauche, Karl Wallenda. The second installation to the bizarre shockumentary series Traces of Death.
the thing is time series by default are shown in both graph and table. So they need to be separate, other types are sort of priority based in the sense that when we think something should be logs we won't try to match this to anything else. ...
The second post in my Dracula Series. Existential. Pretentious. Sexy. When I see these three words in a blurb I assume I’ll love the film. And that was certainly the case with Michael Almereyda’s Nadja.“Hal Hartley meets David Lynch” says the Chicago Review. Shot in black and white...