beginning in the late-1950s when he emerged as an exciting new talent whose jazz sound owed little to the musical vocabulary of his piano-playing predecessors. His penchant for lush, pastel-hued chords and impressionistic tone colors didn’t go unnoticed by Miles Davis, who recruited Evans for...
Chords So Far Away Christ Child Christ Child Christian, Charlie The Solo Flight of Charlie Christian Chrome Half Machine Lip Moves Chrome Cranks Dead Cool Chromeo Fancy Footwork Chron Gen Chronic Generation Chubb Rock with Howie Tee And the Winner Is… Church Blurred Crusade Cichlids Be True to ...
Bob Brady & The Con Chords (1) Bob Crewe (1) Bob Dylan (9) Bob Gallo (1) Bob Krasnow (15) Bob Kuban & The In-Men (1) Bob Lefsetz (3) Bob Marley (1) Bob Marley & The Wailers (3) Bob Marley & The Wailing Wailers (1) Bob Perry (1) Bob Seger (3) Bo...
Boone, Pat - Wonderful Time Up There ~ A1958#4 Stereo.wma Bop-Chords - Castle in the Sky ~ G1956#NC Mono DW.mp3 Bop-Chords - When I Woke Up This Morning ~ G1957#NC Mono DW.mp3 Bosstones - Mope-Itty Mope ~ E1959#NC Mono.mp3 Boston Pops - Look Sharp--Be Sharp (Gillette The...
[jazz education note: beginning witha locrian sound, each following Lydian chord is held for four bars, before a faster-moving sequence of major seventh chords towards the end…] Another standout track, ‘El Barrio’, is a brooding, Spanish-tinged piece that uses two scales. ...
Baker’s greatness here, while Weber’s pals Chris Isaak, Flea from the Red Hot Chili Peppers and model Lisa Marie hang out to keep Chet company. The movie toggles between vintage clips of the man in his prime and the beautiful wreck he was in the late 1980s, after years of addiction...
Bob Brady & The Con Chords (1) Bob Crewe (1) Bob Dylan (9) Bob Gallo (1) Bob Krasnow (15) Bob Kuban & The In-Men (1) Bob Lefsetz (3) Bob Marley (1) Bob Marley & The Wailers (3) Bob Marley & The Wailing Wailers (1) Bob Perry (1) Bob Seger (3) Bo...
A relatively static melody floats on top of harmony that is ‘non-functional’ or ‘modal’; i.e., moving between chords that imply various tonalities or chord scales, and with less of a focus on traditional tonic-dominant relationships. ...
“I just made chords out of what strings I had left. It’s unorthodox, but it works for us.” After his predilection for uppers got him ousted from that band, he developed his own gritty style. “Lemmy was an influence on me in the way he uses distortion — that was different, new...
Establishing a factual basis that the music created in the 1950s and 1960s was the best all time. And, trending newer gifted singers