[广东深圳中学 2024 高二期中]In August, Jason M. Allen's piece“Theatre D'opera Spatial"-which he created with Al image generator Midjourney-won first place in the emerging artist division's "digital arts photography" category at the Colorado State Fair Fine Arts Competition. The definition for...
据说现在的NFT电子艺术品也很值钱。
Moreover, alluding to Brušák’s concept, Honzl introduces the sound of axes cutting down the cherry orchard as an example of an acoustic, non-spatial denotation of the “imaginary action space” (Honzl 2016a, 131). Brušák considers the “imaginary action space” to be “actu-alized...
‘things in theatre per-formance’ inhabited the stage long before actors recognised the role of cos-tumes;furthermore,thingsarepartofthestage’sspatialdesign—theyarealsoamong the ‘main elements of theatrical phenomena (mise en scènein French,Incenierungin German)’. (ibid: 51)In this thesis...
TEMPORAL AND SPATIAL ACOUSTICAL FACTORS FOR LISTENERS IN THE BOXES OF HISTORICAL OPERA THEATRES Acoustical measurements were conducted in a horseshoe-shaped opera house to clarify the acoustical quality of a sound field for listeners inside the boxes ... H.,SAKAI,and,... - 《Journal of Sound &...
A triangular system was adopted from spatial planning, structural modules to facade treatment. From the use of functional forms, simple colour scheme, industrial materials, holistic design language, to incorporating geometric shapes into architecture, the spirit of Bauhaus is clearly shown. Since ...
He teaches media design at TU Berlin, and film and dramaturgy at the Architectural Association’s Interprofessional Studio in London (MA/MFA in Spatial Performance and Design). Fellowships include a Filmmaker’s Award by the New York Foundation for the Arts and Artist Residencies at MacDowell ...
Holiland 1992 Concept Store / Some Thoughts Spatial Design and Research Office Ubá Residential Building / Jacobsen Arquitetura Quiin House 2 / 23o5Studio Meloso Restaurant / t-unoauno + arqaz arquitectura Brunswick Green House / DOOD Studio Kim-chon House / 23o5Studio Te...
(the viewpoint of the audience) must remain on one side of an imaginary line between the characters. This is to ensure that the audience understands (and can follow) the spatial relationship between the characters. Cutting to a close-up must not break the rule to prevent the audience ...
The cost of modern opera production leads to much larger facilities and small venues are more f... RG Petrone,SD Pfeiffer - 《Acoustical Society of America Journal》 被引量: 0发表: 2016年 A History of Theatre in Spain: Playing the palace The design of a 600-seat opera house is a ...