#每日一展# “The Weather Project”By:Olafur Eliasson奥拉维尔·埃利亚松(Olafur Eliasson)是一位丹麦艺术家,以雕塑和大型装置艺术而闻名。埃利亚松2003年在伦敦泰特现代美术馆展出的《天气项目》(“The Weather Project”)中,一个从薄雾中升起的“太阳”占据了美术馆的涡轮大厅。他的装置艺术经常
May 2003 = S. May, Olafur Eliasson: the weather project, Tate, London 2003.May, Susan (editor). Olafur Eliasson: The Weather Project. Tate Publishing: London. 2003.May, Susan, Bruno Latour, Israel Rosenfield et al. Olafur Eliasson: The Weather Project, The Unilever Series. London: Tate ...
Olafur Eliasson, The Weather Project, 2003, Installation view, Turbine Hall at Tate Modern/Adam Goff The end of the solar system OUR star is not destined to explode as a supernova, hurling its planets into space. It’s just not massive enough. But when it finally burns th...
Olafur Eliasson/奥拉维尔·埃利亚松,The Weather Project/天气计划,由两百个灯泡组成的大太阳将泰特美术馆里的一切都染上了橘黄色,空中雾气氤氲,和伦敦的天气一样变幻莫测。涡轮大厅的天花板被换成了反光镜,...
当面对顶层楼梯平台因低矮天花板而无法安装天窗的挑战时,布什从艺术家奥拉弗·埃利亚松 (Olafur Eliasson) 2003年在泰特现代美术馆 (Tate Modern) 展出的《天气计划》 (The Weather Project)装置作品中汲取灵感,特别定制了一件半圆形穹顶灯具。该灯具投射出的光线照耀在镜面天花板上,营造出仿佛太阳照耀般的明亮与温暖,...
Turner's Morning after the Deluge (1843), Paul Pfeiffer's Morning after the Deluge (2003) and Olafur Eliasson's The Weather Project (2003).Seen together, these works, I argue, are less about a particular time and place, than they are about the continued viability of these categories, ...
作者/Author:奥拉维尔·埃利亚松 | Olafur Eliasson 出版/Publisher:HatjeCantz, 2003 装帧/Binding:精装, 96页 | Hardcover, 96 pages 尺寸/Dimensions:23 x 37 cm 语种/Language:德语 | German 这本独立画册是2003年由苏珊娜·盖恩斯海默(Susanne Gaensheimer)策划、于伦巴赫之家市立美术馆(Städtische Galerie...
“The weather Project”, created by Danish artist Olafur Eliasson, and exhibited at the end of 2003, which filled the colossal room with a formidable and almost divine light and atmosphere, which with no doubt would have impressed William Turner himself, protagonist in the nearly Tate Britain. ...
The artist Olafur Eliasson took advantage of this in his 2003 installation The Weather Project. Save this picture!© Richard Holt In order to accommodate a broad range of art, Herzog & de Meuron replaced much of the power station's interior with galleries of differing sizes. They share an ...
Looking back on enacting the work in Stockholm in 2000, Eliasson described how a river “represents a kind of a dynamic force” that is often ignored or subjugated by modern urban planning. By using the organic, non-toxic substance uranine to dye the river at the heart of the city green...