She shares Lauterbach’s formulation of gaps and hinges –“shadows fell like hinges on erasures” – as part of a poetics where “cut[s] in the weeds” are left to impinge surfaces: “Now, when my work expresses loss or failure, I no longer say, get rid of that” (Berssenbrugge ...
source of the fruition of real immaterial objects, volumes without mass, requires a response in the structure of language: the possibility to transform the instrument of intellectualization - the word - into a sign as fluid and elastic as thought…” ...