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garage—the track includes raps about not being able to compete with a lover’s sugar daddy. There’s a displaced giddiness to the song’s sped-up vocal promise that he’ll never be alone, especially as Brown delivers the killshot: “I say, ‘I love you’/You say, ‘Whatever.’”–...
Amerigo Bonasera sat in New York Criminal Court Number and waited for justice; vengeance on the men who had so cruelly hurt his daughter, who had tried to dishonor her. The judge, a formidably heavy-featured man, rolled up the sleeves of his black r
Kessler:Finally, you were the person who first alerted me to the fact that this song is (as Paul said in Miles’s book McCartney) “an ode to pot.” I always thought it was a love song. How did Paul reshape his original lyrics to tailor them to this unique subject matter? O’Tool...
Both this laugh and Bowser's laugh are derived from the same stock recording of a human man laughing recorded by Charles Martinet;[41] it was sped up for the Boos and slowed down for Bowser. However, Boos received a new laugh starting in Mario Power Tennis, being more of a haunting ...
It also means letting go of certain cherished things and taking up our cross. The story of the Incarnation is more than the beautiful new-born child away in the manger. The child will become a man, and he is going to ask some difficult things of us someday. ...
But then comes Elton John’s sped-up “Tiny Dancer” piano, and right behind it, Biggie. The collision opens up a new world for each song, making Elton’s piano trills sound like the perfect backing to any story told with heart, and the words that much more poignant. And as Biggie ...
"You are like a bright little sun," said Gerda. "Tell me, do you know where I can find my playmate?" And the buttercup shone brightly as it looked up at Gerda. But what sort of song would a buttercup sing? It certainly wouldn't be about Kay. ...
“Everyone who ends up going to the Revels and loving it wants to say to the people who missed it, ‘You have got to see this!’ They don’t sit their friends down and try to explain this amazing thing. They just want them to experience it. And that’s why we all want to take...
You send them up the sails of a ship tossing in a hurricane. You take them to Belize. You make a man out of them, against their will and better judgment. If, instead, you start with characterization, you’ll fall in love with your character prematurely. This is a real danger. How ...