The Inferno of Dante 作者: Dante 出版社: Farrar, Straus and Giroux副标题: Bilingual Edition译者: Robert Pinsky 出版年: 1996-3-30页数: 384定价: USD 12.00装帧: PaperbackISBN: 9780374524524豆瓣评分 9.2 15人评价 5星 60.0% 4星 40.0% 3星 0.0% 2星 0.0% 1星 0.0% ...
The Inferno of DanteThe Inferno of Dante by Dante; A New Verse Translation by Robert Pinsky. This widely praised... Bonus Publisher Materials: Praise, Author Biography, Reading Group Gold, Teachers Guides, Readers Guides, Teachers Guides
In the INFERNO, Dante embarks upon a journey through the gyres of hell in an exploration of the darkest elements of existence. Capturing the true spirit of the original, Robert Pinkst's new verse translation of the Inferno is all a poem, and shows the contemporary reader,as no other versi...
Robert Pinsky is the author of many books of poetry, including Gulf Music and The Figured Wheel, and of the award-winning translation The Inferno of Dante. His prose works include The Situation of Poetry and The Sounds of Poetry. He teaches at Boston University and lives in Massachusetts.
Robert Pinsky and the Poetry of Psychiatrydoi:10.1176/appi.ap.25.3.173Dr.Dept.NeilDept.ScheurichDept.M.D.Dept.SpringerAcademic Psychiatry
Robert Pinsky is Poet Laureate of the United States. FSG published The Inferno of Dante in 1994 and The Figured Wheel in 1996. He teaches in the graduate writing program at Boston University and lives in Newton Corner, Massachusetts.
The lack of (i)___ the poetry of the postwar decades has led not, as one might have expected, to (ii)___ poetry, but to a curious closure in which all poets and forms of poetry are (iii)___ and alone, not even respected establishment poets, command excitement. Blank(i) interest...
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Harjo joins a long line of distinguished poets who have served in the position, including Juan Felipe Herrera, Charles Wright, Natasha Trethewey, Philip Levine, W.S. Merwin, Kay Ryan, Charles Simic, Donald Hall, Ted Kooser, Louise Glück, Billy Collins, Stanley Kunitz, Robert Pinsky, Robert...
Recently while driving, I heard poet Robert Pinsky on the radio. He was talking,___, about poetry and said something that___the way I had always thought about the___. The idea was so___that I was almost embarrassed to admit it. It was something___this: when we look at a paintin...