1. The poem contains 24 lines of iambic tetrameterrimedab cc dd ee ff gg hh ii jj ab mm ab. 2.There are three unusual features in this poem: the enjambmentthat occurs between line 1 and line 2(COME live with me, and be my love;/And we will all the pleasures prove) as well as...
enjambement,enjambment- the continuation of a syntactic unit from one line of verse into the next line without a pause stress,accent,emphasis- the relative prominence of a syllable or musical note (especially with regard to stress or pitch); "he put the stress on the wrong syllable" ...
For further study on the import of these stylistic features to the function of Lamentations see F. W. Dobbs-Allsopp, Lamentations (IBC), 12-20; idem, “The Enjambing Line in Lamentations: A Taxonomy (Part 1),” ZAW 113/2 (2001): 219-39; idem, “The Effects of Enjambment in ...
The significance of enjambment is particularly explored as a distinguishing factor between different line-forms and as a means of uniting non-parallel cola.It is evident that no single defining characteristic of a tripartite line exists. The semantic and syntactic structures of tripartite lines both ...
Modern Chinese Function Words and the Aesthetic Effect of Guo Moruo's Goddess 钱韧韧 Full-Text Cite this paper Add to My Lib Abstract: 摘要 郭沫若《女神》的文学史意义,主要在于极大地促进了新诗审美效应的现代性变革。这种变革与现代汉语虚词入诗有密切关系,改变了古诗的情感表达与思维方式,形成了...
(aruz) meters fall into the quantitative category, in which meter has its original function of subordinating speech and music to the general aesthetic principle of measure, which is expressed in the proportionality of time values. The rules of versification call for the use of words in proportion...
The fact that enjambment is used throughout the poem such as in the lines, “like a colour slide or press an ear against its hive” portrays a lack of structure and therefore emphasizes the initial enjoyment one feels when reading a poem before the chore of analyzing it begins. This is ...
And then on to Endless Body—an unframed sequence crafted out of one of poetry’s prime elements—the art of enjambment—as if in breaking, lineaments reveal the oracular—the space where story yearns forward onto the empty page, the exhaled breath. All too soon to speak of. All too soon...
So eager is Graham to enter the fleshy mystery that her version of the sketching of the deceased boy might be mistaken for autopsy. But no less does the passage function as tacit ars poetica, capturing Graham’s own ethos and aim. Signorelli— ...
“Would also be an unused rope”). With most lines as their own metrical and grammatical units, these poems thrive off the tension between establishing a subordinating grammatical logic (hypotaxis) and thwarting it (parataxis) through enjambment so sharp it feels as much like a film splice as ...