The Boy Who Cried Bitch (dir. Juan José Campanella) Defending Your Life (dir. Albert Brooks) Centre Stage (Ruan Ling Yu) (dir. Stanley Kwan) Dead Again (dir. Kenneth Branagh) Whore (dir. Ken Russell) Clifford (dir. Paul Flaherty) Shattered (dir. Wolfgang Petersen)MORE...
21.The Boy Who Cried Werewolf(1973) 22.The Glass Child 23.Rawhead Rex 24. 7 Up (short) 25.The Phantom Museum(short) 26.Disco(short) 27.The Horse Without a Head 28.Blood & Roses 29.Burn, Witch, Burn 30.Anamorphosis(short) 31.The Cabinet of Jan Svankmajer(short) 32.Nocturna Artific...
63. The Boy Who Cried Werewolf (1973) 64. The Sting (1973) 65. Willie Dynamite (1974) 66. That Man Bolt (1973) 67. The Sugarland Express (1974) 68. The Black Windmill (1974) 69. The Midnight Man (1974) 70. My Name Is Nobody (1973) 71. Newman's Law (1974) 72. The Girl ...
the make and show of the maker is introduc the man and the serpe the man cried the man for me the man in the world the man only smiled the man that corrupte the man that corrupte the man that do you the man who dressed i the man who loves the man with a new id the man with...
Meanwhile, in Our Lady of Sorrows Hospital, Scully speaks with Christian in his ward but his eagerness to leave causes her to realize he has been scared by the sight of Father Ybarra, who stands in a corridor outside. Advising the boy not to be afraid, Scully vacates the room to meet...
a vivid a voice cried a vulnerable species a walking with dinosa a war criminal a warm feeling a waste of sth a weak barrier defenc a weakened soul a weatherwoman a web of free unwante a wee dram now n then a well-placed source a werewolf scent a wering a wering lamp a westerner...
The death-rattle guitar twang and the searing tone clusters that open “The Electrician” make for an almost-comically ominous set piece—coming, as it did, from a reunited ’60s boy band who, only a year earlier, had tried to chart with a Boz Scaggs cover. With their label about to ...
The death-rattle guitar twang and the searing tone clusters that open “The Electrician” make for an almost-comically ominous set piece—coming, as it did, from a reunited ’60s boy band who, only a year earlier, had tried to chart with a Boz Scaggs cover. With their label about to ...