We won't spoil the ending by telling you what the iconic final shot is except to say it's devastatingly perfect and perfectly devastating, just like the film itself. —D.W. Where to watch The 400 Blows: Max EW grade: A (read the review) Director: Francis Truffaut Cast: Jean-...
The 400 Blows Jeanne Moreau, Jean Piere Leaud, Jean-Claude Brialy 92 votes The 400 Blows is a 1959 French drama film, the debut by director François Truffaut; it stars Jean-Pierre Léaud, Albert Rémy, and Claire Maurier. One of the defining films of the French New Wave, ...
InThe 400 Blows, parents' denial of children's adolescence throughout the film. In order to reflect the importance of parents in children's adolescence, Antoine's conflict with his parents runs through the whole film. When shooting in Antoine's home, the director used freeze shots instead of ...
In fact, “The 400 Blows” became a rather pessimistic film. I can’t really say what the theme is—there is none, perhaps—but one central idea was to depict early adolescence as a difficult time of passage and not to fall into the usual nostalgia about “the good old days,” the ...
then when she died then when the cops cl then where am i to go then whistling blows then why cant africa then why cant i paint then why does my hand then winter comes then within these cla then wring then write about your then ye shall appoint then you laugh then you see that you...
the ending scene is one of my favorites dave s Aug 22, 2022 A landmark of French cinema, the highly influential The 400 Blows tells the story of Antoine Doinel, a young boy who feels alienated by his seemingly unloving parents, school authorities who have labeled him unfairly (or so...
26 The 400 Blows (1959) Photo : Jerry Tavin/Everett Collection Many a canonized classic has had its edges softened by intervening years of admiration. But the debut from foundational French New Waver François Truffaut, a film critic of notoriously brutal insight, resists this certain tendency,...
Every director, it seems, has a deeply personal coming-of-age story to tell, from Francois Truffaut’s “The 400 Blows” to Lee Isaac Chung’s “Minari” to Alfonso Cuaron’s “Roma.” And lately, every Toronto International Film Festival has made one of those films a centerpiece of its...
s finale is satisfyingly challenging, putting a fun spin on several classic tropes. It’s common for RPG climaxes to take place in corrupted castles or foreboding lairs, butKnights of the Old Republic’s ending has an especially epic setting: Our Jedi turncoat must delve into the coolest ...
The final scene of The Saint’s Vacation first shows, to the shock of his two companions, that Simon Templar (Hugh Sinclair) hadn’t tried to obtain a mysterious music box to sell for money but, instead, he did so on behalf of the British government. Next, it is The Saint’s turn ...