Titian's lost mural painting in the Sala del Maggior Consiglio in the Ducal Palace, Venice, has never been connected with Giorgione's "The Tempesta." One is large and official, representing a specific battle, the other is small and private, and the subject is still not known for certain....
图书Hesiod's Theogony as Source of the Iconological Program of Giorgione's "Tempesta" 介绍、书评、论坛及推荐
ART & societyPAINTING, ItalianPAINTINGHISTORICAL sociologyGIORGIONE, 1477-1511. TempestFirst page of articledoi:10.1111/j.1467-8365.1985.tb00168.xDeborah HowardArt History
doi:10.1080/00233607008603768PochatG?tzKonsthistorisk Tidskrift/journal of Art HistoryPochat, Gotz. "Giorgione's Tempesta, Fortuna and Neo-Platonism." Konsthistorisk Tidskrift 39, 1970,14-34.
Many of these publicationsare enumerated in Wendy Stedman Sheard, "The Widener Orpheus:Attribution, Type, Invention," in Sheard and John T. Paoletti, eds., Collaboration in ItalianRenaissance Art (New Haven, 1978); see especially p. 199 and note 59 but also p. 206, note...
Paul H. D. KaplanArt HistoryKaplan, P. (1986). The storm of war: the Paduan key to Giorgione's Tempesta. Art Hist. 9, 405-427. doi: 10.1111/j.1467-8365.1986.tb00214.xKaplan P. (1986). The storm of war: the Paduan key to Giorgione’s Tempesta . Art Hist. 9 , 405–427. ...