Be the first to review Details Edit Release date 1994 (Russia) Country of origin Russia Language Russian Production company Sverdlovskaya Kinostudiya See more company credits at IMDbPro Technical specs Edit Color Color Contribute to this page
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A 2007 documentary from Russian television covers the career of cinematographer Georgy “Genius” Rerberg, from working with director Andrei Konchalovsky on some early films, to getting the gig with Tarkovsky onMirrorand their eventual falling-out during the filming ofStalker. There are a couple of...
Exploring a possiblme way film, photography and orhodox iconography are linked by the hermeneutics of testimony, the essay goes on to close reading of the visual unity and of some crucial parts of Stalker.Czigány,ÁkosReview of Pannonhalma...
来自 EBSCO 喜欢 0 阅读量: 6 摘要: A letter to the editor is presented in response to Leo Robson's review of the book "The Cinema of Tarkovsky: Labyrinths of Space and Time" in the August 17 and 24, 2012 issues. 年份: 2012
(quotes a theme from the third movement of Alfred Schnittke's Sonata for violoncello and piano);Ivan;Stalker (for Edouard Artemiev);Le Temps Scellé;Toliu (for Anatoli Solonitsyne, quotes excerpts from Amen from Giovanni Battista Pergolesi's Stabat Mater);L'éternel Retour (for Erland ...
Thing, like the Alien Thing in science-fiction horror films.What better proof of the fact that this Thing comes from Inner Space than the very first scene of Star Wars? At first, all we see is the void - the infinite dark sky, the ominously silent abyss of the universe, with dispersed...
with the film medium—besides being a priest in the Church of England, Colin Heber-Percy is a screenwriter and an enthusiastic film viewer—but also the very essence of the oeuvre he explores through the pages of this book: Andrei Tarkovsky's "Stalker", released in the Soviet Union in ...
Rather than seeing the Stalker as an emblem of pure faith I explore the possibility that he is a quasi-tragic figure trapped by his own myopic idolatry. I also contrast the Stalker's lack of self-awareness with Stalker's reflexivity; I argue that interpreting the film in this way casts a...
One might feel, for example, that "Stalker" tries to present the Stalker as admirabledoi:10.1080/10509208.2019.1589855Dominic LashTaylor & Francis GroupQuarterly Review of Film and Video