with the film medium—besides being a priest in the Church of England, Colin Heber-Percy is a screenwriter and an enthusiastic film viewer—but also the very essence of the oeuvre he explores through the pages of this book: Andrei Tarkovsky's "Stalker", released in the Soviet Union in ...
A 2007 documentary from Russian television covers the career of cinematographer Georgy “Genius” Rerberg, from working with director Andrei Konchalovsky on some early films, to getting the gig with Tarkovsky onMirrorand their eventual falling-out during the filming ofStalker. There are a couple of...
Of all the movies out there, Andrei Tarkovsky’s maddeningly oblique masterpiece Stalker (1979) doesn’t seem like a likely choice to be adapted into a video game. Yet it was. Open Culture, openculture.com
More like this 7.6Andrei Tarkovsky. A Cinema Prayer Watchlist 7.9Offret Watchlist 8.0Stalker Watchlist Storyline EditUser reviews Be the first to review Top picks Sign in to rate and Watchlist for personalized recommendationsSign inDetails Edit ...
Thing, like the Alien Thing in science-fiction horror films.What better proof of the fact that this Thing comes from Inner Space than the very first scene of Star Wars? At first, all we see is the void - the infinite dark sky, the ominously silent abyss of the universe, with dispersed...
This article undertakes a reading of Andrei Tarkovsky's 1979 film Stalker that runs, for the most part, against the grain of the director's own pronounceme... Dominic Lash - 《Quarterly Review of Film & Video》 被引量: 0发表: 0年 Unsettling Scores: German Film, Music, and Ideology (r...
He has worked as geological prospector from 1954 to 1956. He has received several awards, including the International Critics Award for "Andrei Rublev." The films he directed include "Solyaris" (Solaris), "Stalker," and "Zerkalo" (The Mirror). 年份: 1998 ...
Advertisement Tarkovsky’s first film, “Ivan’s Childhood,” made when he was 30, won the Golden Lion award at the Venice Film Festival in 1962. This fall, “Andrei Rublev” and a 1979 surrealistic science fiction work, “Stalker,” were shown in Moscow theaters, a development departing fr...
Exploring a possiblme way film, photography and orhodox iconography are linked by the hermeneutics of testimony, the essay goes on to close reading of the visual unity and of some crucial parts of Stalker.Czigány,ÁkosReview of Pannonhalma...
Rather than seeing the Stalker as an emblem of pure faith I explore the possibility that he is a quasi-tragic figure trapped by his own myopic idolatry. I also contrast the Stalker's lack of self-awareness with Stalker's reflexivity; I argue that interpreting the film in this way casts a...