The expansive, Impressionist filmmaking style Tarkovsky perfected inThe Mirrorgoes far here in creating an unsettling ambiance and excruciating anticipation as the unlikely trio presses towards their date with the unknown. For these late-period films, in which his troubled protagonists grow walk a tight...
we are and are not. ––HeraclitusThe idea of return requires two loci that are different in character either topologically or conceptually, but in each case they are also of the same or similar genus for the subject of return to possibly situate in them in the first place. ...