Tangled up in blue. Album version All guitars are in standard tuning. Dylan plays uncapoed, with A major keys. The guitar in the left channel (Kevin Odegard) plays with a capo at the 2nd fret and with G major keys, and the one in the right (Chris Weber, on his 12-string Guild) ...
Of my shoes; we were tangled up in blue. I know, I know, I know... [violin solo, same chords as one complete verse] She lit a burner on the stove and offered me a pipe I thought you'd never say hello, she said, you look like the silent type And then she opened up a book...
especially in key albums like Joni Mitchell's Blue: a radical departure from the Dylanesque norm of folk rock at a critical historical juncture. In particular, Bloom's theory of influence invokes the idea of the "swerve": a break with tradition that comes from the anxiety of sounding too ...
He had already given something away, during the ritual acoustic performance of “Tangled Up in Blue.” This dense little tale, which may be about two couples, one couple, or one couple plus an interloper, seems autobiographical: it’s easy to guess what Dylan might be thinking about when ...