Summary Of The Film 'Black Robe' The film “BlackRobe”‚ released in 1991 takes place in the remote wilderness of Quebec Canada. The film’s director Brian Moore has the time set to the year 1634 as the French began to explore the new world. The film tells the story of a French ...
Also known as: Bard of Avon, Swan of Avon, William Shakspere Written by John Russell Brown Professor Emeritus of Theatre and Drama, University of Michigan, Ann Arbor. Author ofShakespeare, Actors, and Audiencesand others; editor ofThe Oxford Illustrated History of Theatre... ...
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s “Black Swan” in terms of dueling balletic styles and a gorgeously choreographed fight scene that looks like a combative pas de deux. This delightfully deranged home invasion-family horror film works because Peele not only knows how to tell his story, he assembled an incredible cast to play...
(especially, of course, to people who do not speak Swedish). What “Top Secret!” does is to film an entire scene and play it backward, so that the dialogue sounds Swedish, and then translate it into English subtitles. This is funny enough at the beginning, but it becomes inspired at ...
The gunners on the plane did excellent shooting, the photographers got good pictures with a K 20 camera from the tunnel hatch, but ran out of film after the last run over the sub, therefore failing to get pictures of the survivors and of the submarine exploding. The 2nd and 3rd pilot ...
At another moment, a character of little importance suddenly becomes a narrator and tells us what we can see perfectly well: That Ludwig has invited a young actor to spend some time with him in the country. This is the only narration in the film; I suppose it’s inevitable that it would...
s stakes. Shady but well-dressed ring-leader Lambert (Giancarlo Esposito) gives us and them the rundown: no real names, no cell phones, nothing personal—it’s 24 hours of baby-sitting a pre-teen who really likes to plié and step-toe her way through “Swan Lake” rehearsals. Simple ...
All of this is no doubt Walter Hill’s intention. I suppose he has, an artistic vision he’s working toward in this film, and in his work. He chooses to meticulously ban human spontaneity from his films; he allows only a handful of shallow women characters into his stories; he reduces...
It could easily have been a study in obsession—“Rosemary’s Baby” meets “Black Swan.” I’d watch that movie, but Terry’s identity as a dancer feels like it exists just to give “Apartment 7A” a narrative skeleton, not for any interesting thematic digging. ...