Call me Deacon Blues This is the night Of the expanding the man I take one last drag As I approach the stand I cried when I wrote this song Sue me if I play too long This brother is free I'll be what I want to be I'll learn to work the saxophone I'll play ...
专辑: Aja 歌手:Steely Dan Deacon Blues - Steely Dan (斯迪利·丹) This is the day Of the expanding man That shape is my shade There where I used to stand It seems like only yesterday I gazed through the glass At ramblers Wild gamblers That's all in the past You call...
Steely Dan 發佈於:2023年 播放:0次 時長:07:53 播放 下載 收藏 添加 分享 作词: Becker Walter Carl / Fagen Donald Jay 作曲: Becker Walter Carl / Fagen Donald J 查看歌詞 相關推薦 播放全部 -- -- 00:00/00:00 下一首 0
Deacon Blues Retro Mania 4 Steely Dan 2006年1月1日试听 歌词 This is the day of the expanding man That shape is my shade There where I used to stand 登录以查看完整歌词 出演艺人 Steely Dan 表演者 Tom Scott 萨克斯管、 长笛、 圆号指挥 Victor Feldman 电钢琴 Lee Ritenour 吉他 Donald ...
Call me Deacon Blues Deacon Blues This is the night Of the expanding man I take one last drag As I approach the stand I cried when I wrote this song Sue me if I play too long This brother is free I apos ll be what I want to be ...
15. “Deacon Blues” (Aja, 1977) The soft jazz-filled hit “Deacon Blues” may as well be Steely Dan’s theme song, at least for the characters Fagen and Becker inhabited on record. “I’ll play just what I feel / Drink scotch whiskey all night long / And die behind the wheel”...
’s lyrics, which are funny, surreal, and, for the most part, narratively ambiguous. on a song like “deacon blues,” which they co-wrote, it’s impossible to deny the precision of their phrasing, and the unexpected depth of the song’s sentiment: learn to work the saxophone i play ...
Deacon Blues FM Hey Nineteen Gaucho Here at the Western World Janie Runaway Godwhacker *** Steely Dan’s catalogue is celebrated and denigrated for all the same reasons – its sonic precision, its sardonic detachment, and its obnoxiously/impressively high levels of musicianship. That’s the thi...
“Deacon Blues” featured Purdie. The incredibly catchy “Peg” featured a fiery, sassy drum track from Marotta. “Home At Last” showcased the classic Purdie shuffle, supporting a sad tale of remorse and fear. “I Got The News,” a dotted-l6th-note bounce-fest that sounds like early ...
“The Caves of Altamira” “Hey Nineteen” (without orchestra) “The Royal Scam” “Deacon Blues” “Night by Night” “Time Out of Mind” (without orchestra) “Third World Man” “Home at Last” “Josie” “Bodhisattva” “Kid Charlemagne”...