Well, to be blunt, not much. The SonyPXW-FS5M2XDCAMdoes include the previously paid upgrades such asRAWoutput and continuous 100/120fps 1080p recording, but outside of that, the only notable changes are 4K 120fps burst shooting and revamped color science with added features for quicker turn...
SONY PXW-FS5 XDCAM 4Kスーパー35mmCMOSセンサー搭載 リアルハンドヘルドシネマカムコーダー レンズ付属なしモデル(PXW-FS5) SONY 業務用 ビデオカメラ 2015年製 【付属品】 ACアダプターやリモコンも含まれており、長時間の撮影が可能です。 付属:ACアダプター×1、電源コード×1、リモ...
SONY PXW-FS5 XDCAM 4Kスーパー35mmCMOSセンサー搭載 リアルハンドヘルドシネマカムコーダー レンズ付属なしモデル(PXW-FS5) SONY 業務用 ビデオカメラ 2018年製 【付属品】 ACアダプターやリモコンも含まれており、長時間の撮影が可能です。 付属:ACアダプター×1、電源コード×1、リモ...
PXW-FS5M2/FS5M2K 4K Super 35mm Exmor™ sensor camcorder • The Super 35 Exmor™ CMOS sensor is equipped with approximately 11 .6million total pixels and 8 .8 million effective pixels • Internal recording in 4K resolution (4:2:2) 10 bit at 60fps or in Full HD at frame rates ...
The workflow I'm trying to achieve is mobile edit in premiere rush with the Pxw fs5ii in camera proxies then open project in premiere and replace proxies with full resolution. This would enable me to start editing in rush mobile on my way home from job, eliminating having...
Bringing a smaller, handheld form factor to Sony's line of digital cinema cameras, the PXW-FS5 XDCAM Super 35 Camera System captures UHD video using a Super 35mm-sized sensor for cinematic imagery. Though small in size, it incorporates professional features that differentiate it from consumer an...
The SonyPXW-FS7M2 is not a direct replacement to the original FS7, but rather a separate offering in the Sony large sensor/cinema camera line. Key features include: 8.8MP 4K S35CMOSsensor 10-bit 4:2:2 in 4KDCI Capture up to 60p in 4KDCIor 180p inFHD ...
Showing PXW-FS7 II, FS7 & FS5 4K HDR Production Showing PXW-Z90, PXW-Z150 & HXR-NX80 (TBC) HD Production Showing PXW-X70, PXW-X200, HXR-NX100 Live Event Production Showing MCX-500, RM-30BP, HXR-NX5R, SRG-360, RM-IP10 and possibly an RX0 (TBC)...
They first introduced this great new color science with the VENICE, and something similar was put into the FS5 Mark II. Finally, the out-of-the-box skin tones from a Sony camera look stunning. What’s great is that the image still seems to retain a huge latitude. I can see this ...