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with the latter allowing capture of 15+ stops of dynamic range. The S-Gamut3 and S-Gamut3.Cine color gamut settings make it easy to match Alpha 7 IV footage with footage from VENICE digital cinema cameras or Cinema Line cameras like the FX6 and FX3. The native sensitivity when shooting...
The Sony Alpha FX3 is the most compact Cinema Line camera available at time of launch, primarily designed for solo-video recording, vlogging and pieces to camera, thanks to an articulating LCD screen and detachable carry handle. An internal cooling system allows the FX3 to record uninterrupted ...
Use the same S-Log2 Gamma Curve that is found on high-end Sony Cinema cameras, which squeezes up to 1300% more dynamic range into the video signal then traditional Rec. 709, for increased post-production flexibility. HLG (Hybrid Log-Gamma) support is also available, along with the BT....
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The new Sony Airpeak Drone Here is the awesome new Airpeak drone from Sony for mirrorless Alpha cameras. It looks really interesting. I would love to fly my Sony A7SIII to... Sony FX6 LUT's - a growing collection... 10/01/2021 ...
Assistive Technology on Alpha cameras Our Alpha cameras include visual and mobility accessible technology. Learn about accessibility featuresCreators' Cloud platform Creators' Cloud is a platform that supports creative work from shooting to production by combining advanced Sony camera technology with cloud-...
are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making it more convenient to use the α7S III along with other pro cameras. ...
The α1 includes the same S-Cinetone colour matrix that produces beautiful colour and skin tones in the FX9, FX6, and other Cinema Line cameras. S-Cinetone delivers natural mid-tones that are essential to healthy-looking skin colour, plus soft colours and gorgeous highlights, responding to a...
Three colour gamut settings (S-Gamut, S-Gamut3, and S-Gamut3.Cine) are provided, and the latter two settings make it easier to match the colours of footage shot with Sony's professional cinema cameras. Because the colours match, colour grading is easier in post-production editing, making ...