This deliberate, mid-tempo ballad is not something a 19-year-old starlet could get away with singing. The signature LDR blend of the future and the past is present, as muted gunshots and swirling sirens fly over warm mellotron, Phil Spector-style drums rendered in slo-mo, and a touch ...
This deliberate, mid-tempo ballad is not something a 19-year-old starlet could get away with singing. The signature LDR blend of the future and the past is present, as muted gunshots and swirling sirens fly over warm mellotron, Phil Spector-style drums rendered in slo-mo, and a touch ...
This deliberate, mid-tempo ballad is not something a 19-year-old starlet could get away with singing. The signature LDR blend of the future and the past is present, as muted gunshots and swirling sirens fly over warm mellotron, Phil Spector-style drums rendered in slo-mo, and a touch ...
After singing most of “Quarrel” in an icy falsetto, Sumney slips into a lower, more conversational register to deliver its stinging final couplet: “We cannot be lovers/Long as I’m the other.” He’s referring to the implicit power dynamics that wreak havoc on relationships—from class ...
After singing most of “Quarrel” in an icy falsetto, Sumney slips into a lower, more conversational register to deliver its stinging final couplet: “We cannot be lovers/Long as I’m the other.” He’s referring to the implicit power dynamics that wreak havoc on relationships—from class ...