The song “Fall of Sipledome” is a perfect example of Lombardo’s killer drum attack with a fast and aggressive style of play, utilizing the double bass technique. 6. Slayer – Silent Scream Photo from https://www.slayer.net/ Back tolegendary Dave Lombardoand his aggressive and precise mo...
Drummer Scott Travis pummels listeners with an unaccompanied double bass intro and never looks back, driving the song from first note to last with furious aggression. Judas Priest always had a revolving door drum position within their ranks, and Painkiller was Travis’s first album with the band...
Per questa bella mano, aria for bass, double bass & orchestra, K. 612 Danza, Danza, Fanciulla Gentile for voice & piano (or orchestra) O Bellissimi Capelli La Serenata for voice & piano/orchestra Beautiful Dreamer, for voice & piano Jeanie with the Light Brown Hair, for voice & piano Of...
Larkin, Cormac
Bob Dylan is an American folksinger who moved from folk to rock music in the 1960s, infusing the lyrics of rock and roll with the intellectualism of classic literature and poetry. Dylan wrote more than 500 songs recorded by more than 2,000 artists. Learn
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(1971) was laboured anddidactic. After a mostly lost year in 1972, when Manuel’s alcoholism became chronic, they trod water withMoondog Matinee(1973), an album of fine cover versions, then hitched their wagon once again to Dylan for the highly successful tour that producedBefore the Flood...
Also ranks #11 onThe Hardest Songs to Play on Bass Buy at 6 A House of Gold Hank Williams 20 votes Hank Williams' "A House of Gold" speaks to the human spirit with its timeless message about wealth and happiness. This country classic has been continually revered, covered by numerous arti...
Vaughan released this slow-burning twelve-bar blues ballad, the title track to his 1983 debut LP with his band Double Trouble. The song is a revamp of a song first cut by the Lone Star State bluesman Larry Davis in 1958. Vaughan’s version was nominated for a Grammy. – Charles Waring...
Best known for sparse, heady, and sometimes beatless compositions, vaunted English electronic producer Actress incites the dancefloor with a musical tug-of-war on “Push Power ( a 1 ).” Insistent four-on-the-floor bass hits pull at a searching piano line, while repetitive ad-libs offer enig...