“From my own soundtrack of resilience and hard work, Dolly Parton’s “Working 9 to 5” stands out, encapsulating the daily grind with a rhythm that keeps me moving. Meanwhile, Rose Royce’s “Carwash” adds a touch of funk to the workday, making even the most mundane tasks feel gro...
“I started writing the first verse and half of the second when I was in rehab going through detox,”he toldThe Guardianin 2009. “It brings me back to a time when I was really depressed and down, but at the same time it reminds me of what that space is like and what never to ...
“Love Me Right” is a wounded plea to a romantic partner who’s gone cold, a sumptuous R&B anthem that dips into house, samba, even smooth jazz. It’s also a neat snapshot of what New York singer, songwriter, and producer Amber Mark does so well. Her lyrics are conversational, rel...
So does the tenor of its lyric, from the ooze and floozies and alliteration of its first few verses to the manic, bolting horse and internal assonance (and therefore suggestion of “whores”) in the last few. None of that is obvious at first, but all of it works in the service of ...
lyrics Tags: books about songwriting, hit song formula, how to get more streams on Spotify, how to write songs in the streaming age, Miley Cyrus, songwriting, songwriting advice, songwriting formula, songwriting ideas, songwriting mistakes, songwriting process, songwriting tips, writing lyrics ...
“Love Me Right” is a wounded plea to a romantic partner who’s gone cold, a sumptuous R&B anthem that dips into house, samba, even smooth jazz. It’s also a neat snapshot of what New York singer, songwriter, and producer Amber Mark does so well. Her lyrics are conversational, rel...
So does the tenor of its lyric, from the ooze and floozies and alliteration of its first few verses to the manic, bolting horse and internal assonance (and therefore suggestion of “whores”) in the last few. None of that is obvious at first, but all of it works in the service of ...
So does the tenor of its lyric, from the ooze and floozies and alliteration of its first few verses to the manic, bolting horse and internal assonance (and therefore suggestion of “whores”) in the last few. None of that is obvious at first, but all of it works in the service of ...
So does the tenor of its lyric, from the ooze and floozies and alliteration of its first few verses to the manic, bolting horse and internal assonance (and therefore suggestion of “whores”) in the last few. None of that is obvious at first, but all of it works in the service of ...
So does the tenor of its lyric, from the ooze and floozies and alliteration of its first few verses to the manic, bolting horse and internal assonance (and therefore suggestion of “whores”) in the last few. None of that is obvious at first, but all of it works in the service of ...