Buried Alive ▶ I Was A Teenage Werewolf - Remastered ▶ Sweet Dreams (Are Made Of This) ▶ Yellow Flicker Beat ▶ My Love ▶ Hellfire ▶ Zombie - Remastered 2020 ▶ Alive (nightmare) - Album Version (Edited) ▶ Bloodletting (The Vampire Song) ▶ Nocturnal ▶ My Boy Buil...
“When you jump mommy life would be better/ Just like Rihanna you can stand under my umbrella” JLS, “Work,” 2010 “Like Rihanna she’s a rock star/ You know I’ll be her rude boy” Drake, “Buried Alive Interlude,” 2011 “Bright lights and Rihanna as a lady friend/ My vice i...
Buried Alive ▶ Album: Room Released on:2019-07-18 Number of Songs:1 Room ▶ Album: Sinner Released on:2018-04-13 Number of Songs:1 Sinner ▶ Album: Memories (feat. SIRAH) Released on:2015-10-02 Number of Songs:1 Memories (feat. SIRAH) ▶ Album: Deadbeat (feat. Skrillex) Re...
by Mary J. Blige Drake The One Who Loves You The Most (1) by Brett Dennen The Only Living Boy In New York (1) by Simon & Garfunkel The Only Thing (1) by Orba Squara The Only Way (Is The Wrong Way) (1) by Filter The Part Where You Let Go (1) by HEM ...
Its minimalist music video flashes black and white stills timed to each toy xylophone twinkle, like jawbreakers tumbling through a gumball machine. Meanwhile, a thousand imitators tried to recreate the high, from SoundCloud nobodies and underground stalwarts to Drake’s producers. None of them ...
but he didn't pioneer this sound. Simpler forms of the technology had been used on records before. In fact, Walsh got his device from friend Bill West (Dottie West's husband), and it had previously been used on Pete Drake's 1955 song "Forever." Still, Walsh took things to a whole ...
From Drake’s dominance to Adele’s return, Tame Impala’s blissful psych to Kendrick Lamar’s politically charged hip-hop, 2015 marked another diverse and strong year for music. These are our picks for the best songs of the year.
Like just about every song on Is a Real Boy, “Alive With the Glory of Love” is a wildly ambitious and irresponsibly horny piece of musical theater, but there’s a big difference between this and, say, “Every Man Has a Molly” or “Wow, I Can Get Sexual Too.” There’s no way...
“on” mode when they appeared together on the rapturously vulnerable title track from Drake’s 2011 second album. Producer Noah “40” Shebib flipped a sample of a Gil-Scott Heron remix by Jamie xx, dangling gorgeous stalactite-like guitar sounds over a slow-build Balearic throb. But the ...
“Mine” might not be the best known track on Bey’s self-titled 2013 visual album, but it holds an important place in the massive pop work as its most complicated ballad. With some help from Drake producer Noah “40” Shebib and Drizzy himself, it’s a song that finds self-assurance...