and especially Barry Gibb, wrote lots of songs in their early days they didn’t manage to jam onto their own prolific releases. Even before they moved from Australia to England in 1967, they’d already placed a
But Streisand had her biggest-selling album in 1980 with Guilty, which was written and produced by Barry Gibb of the Bee Gees and contained the No. 1 hit, "Woman in Love." Though she read Isaac Bashevis Singer's short story, "Yentl, The Yeshiva Boy" shortly after her first film in ...
But Streisand had her biggest-selling album in 1980 with Guilty, which was written and produced by Barry Gibb of the Bee Gees and contained the No. 1 hit, "Woman in Love." Though she read Isaac Bashevis Singer's short story, "Yentl, The Yeshiva Boy" shortly after her first film in ...
In addition to the next three number ones and #3 More Than A Woman by Bee Gees, the soundtrack also included new songs If I Can't Have You by Yvonne Elliman, #1, a Tavares version of More Than A Woman, #13, and other popular disco songs of the time. ...
stalling at No. 11 on Billboard. It helped that the group was experiencing a renewed interest in their career, thanks to a Rock & Roll Hall of Fame induction and TV specials. But their second-to-last LP followed a shelved album of acoustic versions of songs written for other artists, an...
the brothers Gibb wrote their own songs, which makes them elite indeed. Then when you consider they had such an embarrassment of riches that they were able to give other artists songs and then those artists had big hits, in that sense, I’m not sure anyone in the history of popular ...
But its disco-leaning pop-rock sound didn't go down well with their fans, nor Keith Richards, and they wouldn't perform it live for 33 years after its release. Adopting a falsetto singing style akin to the Bee Gees' Barry Gibb or Marvin Gaye, fans thought the band had truly sold out...
“Islands in the Stream,” written by Barry, Robin, and Maurice Gibb of the Bee Gees. “The Bee Gees’ tracks were always a little slick but, without exception, exciting,” Rogers wrote inLuck or Something Like It— though he also added,“I could have never been the fourth Bee Gee.”...
As a producer, he shaped defining albums for Grand Funk Railroad, Hall & Oates, and Meat Loaf...but also the New York Dolls, Patti Smith, and the Tubes. In his simultaneous solo career, he stayed one step ahead of the trends he solidified with other artists, veering between soft-rock...
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